EMART 8.5 x 10 ft Backdrop Support System, Professional Photography Lighting Kit with 50W LED Blub, Reflector, Backdrop *3, Heavy Duty Sandbag *4, Umbrellas&Softbox Lighting Kit for Studio, Portrait
EMART builds photography backdrop stands, background support and the lights that stand beside them.
4.6
$15934
In Stock
Other options on this listing
This is our answer for the setup that has to go up, hold still and come down the same evening. At full extension the top of the column stands 10ft, which keeps the hem off the floor in a small room.
We cut it from cotton and muslin so the surface stays even under a hard key light. You also get a heavy-duty build and a carry bag. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- 8.5 x 10 ft Backdrop Support System with 6 x 9 ft Muslin Backdrop(black, white green), Backdrop stand supports canvas, muslin and paper, suitable for home and professional studio use. the backdrop stand can extend to 8.5 ft in height and 10 ft wide lot’s of room for all kinds of studio shoots.
- 6 x 9 ft Muslin Backdrop(Black, White and Green), 100% Cotton Muslin seamless background to help absorb the light and eliminate reflection, thick and solid hang down feeling good. NOTE: due to transporting it, the backdrop may has wrinkles, please hung out the backdrop by 1-2 days if necessary, use steam iron to iron the reverse side.
- The Photography Umbrella Lighting Kit, soften Lighting and set up the light differently depending on what effect. Light stand and bulb holders are flexible, the height of light stand can be adjusted between 2.5ft- 7ft. The angle of the bulb holders can be turned both horizontally and vertically, manually adjust distance between light bulbs & umbrella to get best light
- 24" x 24" Softbox Continuous Lighting Kit, 5500K color temperature is most suitable for studio shooting, portrait lighting and still-photography, Ultimate soften light stream and remove shadow to make perfect shooting, Silver internal face can minimize light loss and maximize light spread.
- Studio Light and Background Support System List, [2] 24"x24" Softbox, [1] 8.5 x 10ft Backdrop Stand Support System,[3] 6x9 ft Muslin Backdrop(Black, White and Green), [6]Backdrop Spring Clamps, [4] Backdrop Clip Holder, [4] 50W LED Bulb,[2]Lamp Holder, [2] 33inch Translucent Umbrella, [4] 7ft Light Stand, [4] Sandbag, [1] 24" 5 in 1 Reflector. [1] Carrying Bag
Specification
| Height | 10ft |
|---|---|
| Material | Cotton and muslin |
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Clamping, hooks and the crossbar
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Travel, bag and care
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
