EMART Softbox Lighting Kit 85W 16"x16" Soft Box for Photography Light 1Pack
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
3000K-6000K LED Bulbs with Remote, 65" Tripod, Professional Photography Lighting for Studio Lights, Portrait, Video Recording
4.5 674 reviews
$3899
In Stock
We keep our Softbox Lighting Kit 85W 16"x16" Soft Box for Photography Light 1Pack in the range because most shoots need one dependable frame, not five clever ones. At full extension the top of the column stands 65in, which keeps the hem off the floor in a small room.
The build includes a handheld remote and a carry bag. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Newly Designed Non-Slip Light Stand. 1. Industry-leading reverse folding design, effectively reduce space occupation. 2. The light stand is detachable, and you can manually control the light stand pole to adjust the direction and height of the softbox. 3. The height of the light stand can be adjusted from 18 to 65 inches, and the node is fixed with a plate buckle to make it easier to use 4. The bottom rubber sleeve design makes the tripod more stable and non-slip on any surface.
- 85W LED light with remote control. Input Voltage of 110-245V AC. Adjustable brightness and color temperature 85W LED light blub (with remote control). Color temperature can be adjusted between 3000K and 6000K. The remote control can be adjusted within 7M(23FT) range.
- 16"x 16"Soft box. 16"x 16" soft box silver reflective inner lining,the removable front diffusion spreads light into a homogenous soft light.The soft box is equipped with a 3-meter power cord to increase the range of movement of the softbox light kit. And give away 3 wire buckles, which is convenient for fixing and organizing the power cord.
- Multiple scene applications. This softbox lighting kit is suitable for photography art,and meets the different needs of photography lighting,recording studio,live broadcasting,video fill light,etc. It can be applied to advertising products, industrial technology photography,children's photography and small product photography, photographic reproduction,etc can be used to fill in, reflect, diffuse,light bounce, absorb or soft light. You can always get the effect you like.
Specification
| Height | 65in |
|---|---|
| Reviews on the listing | 674 |
In the box
【Rich Package Contents】1 x 16"x 16"Soft box(Head 210° adjustable); 1 x 3000K-6000K 85W LED Bulb (with Remote Control); 1 x Gloves;1 x (18"to 65"/45cm-165cm) Height Adjustable Softbox Light Stand(with Nut for light stand bottom); 3 x Velcro Cable Ties ; 1 x Carry Bag. If you have any questions about our softbox lighting kit, please contact us, we will reply you within 24 hours.
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
Light is half of a set and the frame is the other half. These heads sit on their own stands, so they do not compete for space with a backdrop stand — which matters in a small room where the support system already has its legs across the floor.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Hanging it and holding it steady
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Travel, bag and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
