EMART Softbox Photography Lighting Kit, 20"x28" Soft Box for Portrait 2Pack
EMART builds photography backdrop stands, background support and the lights that stand beside them.
6500K E26/E27 LED Bulb, Professional Studio Lights for Photography, Video Recording, Live Streaming, Portraits Shoot, Podcast
4.5 923 reviews
$6599
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening.
The build includes a portable format. We would rather you bought the smaller frame and used it than the big one that stays in the bag.
Key features
- Rich packging content. 2 x 20"x 28" soft box;2 x E26/E27 6500K 40W LED light bulb;2 x (26.4" to 84.2")height-adjustable softbox light stand;2 x 210°rotatable head with 9.8ft(3M) power cable;4 x Velcro cable ties;;1 x portable tote from Oxford cloth. If you have any questions about our products,please contact us,we will reply you within 24 hours.
- Velcro Cable Ties x4. The velcro cable ties are essential for professional photography. They can securely fasten the power and connecting cables of softbox lighting sets used in video recording, filming, podcast and live streaming, making the studio more tidy and not tripping your feet.
- 2 LED light bulbs. The softbox photography lighting kit is equipped with 40W 6500K LED light bulb, which has a power output equivalent to a 400W incandescent light and brings 4000 lumens for studio photography and video shooting. The light bulb operates at a low temperature, has a long service life, and features a CRI above 90.
- Multiple scene applications. This softbox light kit is suitable for photography art,and meets the different needs of photography lighting,live broadcasting,video fill light,etc.It can be applied to advertising products,industrial technology photography,portraits and product photography,photographic reproduction,etc.
Specification
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In the box
[2 Upgraded Softbox] The soft box features an upgraded base, making it more hidden and more solid. With its 20''x28'' rectangular silver reflective inner lining, the studio softbox provides wide coverage. A silver particle baffle inside spreads light evenly, maximizing soft light capacity and eliminating shadows. Also, the softbox comes with a 210° rotatable head that can adjust the angle according to your needs.
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
Where it earns its place
Light is half of a set and the frame is the other half. These heads sit on their own stands, so they do not compete for space with a backdrop stand — which matters in a small room where the support system already has its legs across the floor.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Clamping, hooks and the crossbar
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Bag, case and care
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
