EMART Softbox Photography Lighting Kit 2Pack 50W LED 16"x16" Pull Soft Box
EMART gear: photography backdrop stands, background support, lighting and the small metal.
3000K-6000K LED Bulb with Remote/APP Control, Professional Photography Lighting kit for Portrait, Video Recording, Streaming
4.4 236 reviews
$6699
In Stock
We keep our Softbox Photography Lighting Kit 2Pack 50W LED 16"x16" Pull Soft Box in the range because most shoots need one dependable frame, not five clever ones.
The frame is aluminium alloy, which is the difference between a stand that travels and one that bends. The build includes a handheld remote and a carry bag. We keep one listing per size so you are never guessing which box arrives.
Key features
- 【One-Second Installation-16"x 16" Pull Soft box】Upgraded Soft Box, Open- Press the button and pull out the rod. Close- Press the button and push the rod in. 16"x 16" soft box silver reflective inner lining,the removable front diffusion spreads light into a homogenous soft light. The soft box is equipped with a 3-meter power cord to increase the range of movement of the softbox light kit.
- 【Remote/APP Wireless Intelligent Control Bulb】Each 50W LED soft box light can be individually controlled for color temperature and brightness by APP Control, color temperature can be adjusted between 3000K and 6000K. The remote control can be adjusted within 15M(49FT) range.
- Sturdy and Reliable. This studio softbox is equipped with a tripods with independent locking knobs, made of aluminum alloy, and the sturdy locking system ensures that your items are not affected by any wobble during use. Experiments have proved that the tripod can easily resist scratches from hard objects, providing excellent safety, reliability and sufficient stability for your lighting softbox.
- Multiple scene applications. This softbox lighting kit is suitable for photography art,and meets the different needs of photography lighting,recording studio,live broadcasting,video fill light,etc. It can be applied to advertising products, industrial technology photography,children's photography and small product photography, photographic reproduction,etc.
Specification
| Material | Aluminium alloy |
|---|---|
| Reviews on the listing | 236 |
In the box
【Rich Package Contents】 2 * 16"x 16"Soft box(Head 120° adjustable); 2 * 3000K-6000K 50W LED Bulb (with Remote Control); 1 * Carry Bag;2 * (17"to 63"/43cm-160cm Height Adjustable ) Light Stand
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
Matching it to a photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Hanging it and holding it steady
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Travel, bag and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
