EMART Umbrella Photography Lighting Kit, 200/700W Bulbs, 85W LED Bulbs, Soft Light Continuous Photographic Reflector Set for Portrait Studio Video Recording, Filming, Podcast
EMART gear: photography backdrop stands, background support, lighting and the small metal.
4.4
$10281
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening.
The frame is aluminium alloy, which is the difference between a stand that travels and one that bends. It arrives with a handheld remote. We keep one listing per size so you are never guessing which box arrives.
Key features
- Complete Umbrella lighting kit. Perfect for portrait photography or video recording. The Professional Umbrella Lighting kit is to provide prefect shooting light, to satisfy high requirement of shooting light
- Adjustable Color Temperature. The color temperature can be adjusted between 3000K and 5500K. Brightness range goes from 1%~100%. With 90+ CRI, the colors are more vivid, showing the details of the photos.
- High efficiency energy saving. :Lifespan of this photography bulb longer than 8000 hours, makes the light brighter. Thickened aluminum alloy dissipates heat faster, prolonging the lifespan of the light bulb.
- E26/27 Standard Base. E26/27 standard screw base can be used everywhere, suitable for soft light box, photography umbrella and most of the photographic lighting socket, easy to replace. Note: Please do not touch the bulb immediately after the power is turned off.
- Convenient Remote Control. : With this light bulb, you will be more professional than other photographers. The remote control can be used within the range of 7-8 meters. Turning on and off the light, controlling the brightness/color temperature of the light
Specification
| Material | Aluminium alloy |
|---|
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
What this one is for
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
What size EMART backdrop stand this suits
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamps, hooks and the top edge
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Carrying it and keeping it
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
