EMART Softbox Photography Lighting Kit, 50W LED 3PCS Soft Box with Boom Arm
One of the photography backdrop stands, lighting kits and support systems EMART makes.
Professional Equipment Three Point Light Setup, 16"x16" & 20"x20" Softbox, 50W 3000-6000K LED Bulb with APP/Remote for Studio
4.6 6 reviews
$15499
In Stock
We put our Softbox Photography Lighting Kit, 50W LED 3PCS Soft Box with Boom Arm on the floor for crews who need the shot up before the light changes.
You also get 360-degree rotation, a handheld remote and a carry bag. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Remote & APP Control. With the remote control, you can turn all three softbox lights on/off and adjust brightness and color temperature simultaneously with one touch—fast and convenient. The mobile APP allows you to control each soft light individually for more precise customization. Note: Remote requires 2 AAA batteries (not included).
- 50W 3000K-6000K LED Bulb. This photography light is equipped with three 50W LED bulbs (CRI≥93), delivering vivid color and sharp details. Each bulb supports stepless dimming (1-100%) and adjustable color temperature (3000K-6000K) for professional photo and video lighting. It supports 110V–220V voltage, making it perfect for home, office, or travel purposes.
- Flexible Boom Arm. With a 17"(43cm) -29.5"(75cm) boom arm, this softbox lighting kit helps you achieve a full range of light effect. It features a boom arm with 360° rotation and a 210° adjustable lamp holder, allowing you to achieve professional three-point lighting (key, fill, backlight) without the stand blocking your shot. For safety, a sandbag is included to ensure photography light stability when the boom arm is extended.
- Versatile Pull Softbox. Experience one-second installation via the push-button rods—pull out to open, push in to close. Its octagonal design emits focused soft lighting to evenly illuminate your subject. Engineered for professional studio lighting, it excels in advertising products, portraits, podcasts, live streaming, video recording, filming, photographic reproduction—serving as your reliable photography lighting solution.
Specification
| Reviews on the listing | 6 |
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In the box
【Rich Package Contents]】2* 16"x16" softbox, 1* 20"x20"octa softbox, 3* 50W LED bulb, 3* 17"-63"(43-160cm) light stand, 1* 29.5"(75cm) boom arm with sandbag & hook, 1* sandbag, 1* remote control, 7* Velcro cable ties, 1* carry bag. If you have any questions about our soft box lighting set, please contact us, we will reply you within 24 hours.
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
Where it earns its place
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamping, hooks and the crossbar
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Bag, case and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
