EMART Softbox Photography Lighting Kit, 50W LED 2PCS Soft Box with Boom Arm
EMART gear: photography backdrop stands, background support, lighting and the small metal.
Professional Equipment 16"x16" & 20"x20" Softbox, 50W 3000-6000K LED Bulbs, APP/Remote, Stand with Boom Arm for Studio, Video
4.5 14 reviews
$9199
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in.
You also get 360-degree rotation, a handheld remote and a carry bag. We would rather you bought the smaller frame and used it than the big one that stays in the bag.
Key features
- Remote & APP Control. With the remote control, you can turn all the softbox lights on/off and adjust brightness and color temperature simultaneously with one touch—fast and convenient. The mobile APP allows you to control each soft light individually for more precise customization. Note: Remote requires 2 AAA batteries (not included).
- 50W 3000K-6000K LED Bulb. This photography light is equipped with two 50W LED bulbs (CRI≥93), delivering vivid color and sharp details. Each bulb supports stepless dimming (0-100%) and adjustable color temperature (3000K-6000K) for professional photo and video lighting. It supports 110V–220V voltage, making it perfect for home, office, or travel purposes.
- Flexible Boom Arm. With a 17"(43cm) -29.5"(75cm) boom arm, this softbox lighting kit helps you achieve a full range of light effect. It features a boom arm with 360° rotation and a 210° adjustable lamp holder, allowing you to achieve professional three-point lighting (key, fill, backlight) without the stand blocking your shot. For safety, a sandbag is included to ensure photography light stability when the boom arm is extended.
- Versatile Pull Softbox. Experience one-second installation via the push-button rods—pull out to open, push in to close. Its octagonal design emits focused soft lighting to evenly illuminate your subject. Engineered for professional studio lighting, it excels in advertising products, portraits, podcasts, live streaming, video recording, filming, photographic reproduction—serving as your reliable photography lighting solution.
Specification
| Reviews on the listing | 14 |
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In the box
【Rich Package Contents】1* 16"x16"square softbox, 1* 20"x20"octagonal softbox, 2* 50W LED bulb, 2* 17"-63"(43-160cm) light stand, 1* 29.5"(75cm) boom arm with sandbag & hook, 1* sandbag, 1* remote control, 7* Velcro cable ties, 1* carry bag. Comes with a 1-year warranty. If you have any questions about our soft box lighting set, please contact us, we will reply you within 24 hours.
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
Where it earns its place
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
What size EMART backdrop stand this suits
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamps, hooks and the top edge
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Bag, case and care
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
