EMART Softbox Lighting Kit with Sandbag, 20"x28" Soft Box Lights Photography Accessories with 2x40W 6500K LED Bulbs, 2x105W 5500K Bulbs, for Studio Video Recording, Filming, Podcast
EMART builds photography backdrop stands, background support and the lights that stand beside them.
4.5
$7990
In Stock
We designed this one around the part of the job nobody photographs: the half hour before the first frame. At full extension the top of the column stands 83.9in, which keeps the hem off the floor in a small room.
You also get a folding frame and a portable format. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Rich packging content. 2 x 20"x 28" soft box; 2x40W 6500K LED Bulbs; 2 x E27 5500K 105W CFL light bulb;2 x (26.4" to 83.9")height-adjustable softbox light stand;2 x 210°rotatable head with 9.8ft(3M) power cable;2 x Velcro cable ties;2 x sandbags;1 x portable tote from Oxford cloth.If you have any questions about our products,please contact us,we will reply you within 24 hours.
- 2 Sandbags. Foldable to 26.4 inch and extended to 83.9 inch adjustment light stand.This softbox Light Kit carries 2 sandbags to stabilize the light stand and solve the top-heavy problem of the lighting softbox kit.Each sandbag max rated for 25lbs and easy to carry.
- 4 Energy-saving bulbs. 2x40W 6500K LED Bulbs; 2x 105W 110V-50Hz 5500K daylight CFL lighting bulb,the total output is equivalent to 1000W ordinary incandescent bulb,low operating temperature and longer life,CFLs will also help to make 80% savings on your energy bill.
- Multiple scene applications. This softbox light kit is suitable for photography art,and meets the different needs of photography lighting,live broadcasting,video fill light,etc.It can be applied to advertising products,industrial technology photography,portraits and product photography,photographic reproduction,etc
Specification
| Height | 83.9in |
|---|
In the box
[2 Wide coverage soft box]20"x28" rectangular silver reflective inner lining cause a wide coverage.Also,the softbox comes with a 210°rotatable head that can adjust the angle according to your needs,and the removable front diffusion spreads light into a homogenous soft light.Reduces any harsh shadows that come into a subject that you are taking pictures.
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
What this one is for
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
Matching it to a photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Putting it up
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamps, hooks and the top edge
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
