EMART Softbox Lighting Kit, 85W 20"x28" Softbox for Photography Light 2Pack
One of the photography backdrop stands, lighting kits and support systems EMART makes.
3000K-6500K LED Bulbs with Remote, 75" Tripod, Professional Photography Lighting for Studio Lights, Portrait, Video Recording
4.3
$8499
In Stock
Our Softbox Lighting Kit, 85W 20"x28" Softbox for Photography Light 2Pack is the piece we hand over when a room has to turn into a set in one go. The columns go up to 31.5in, so the top edge sits above the subject rather than in the frame.
It arrives with a handheld remote and a carry bag. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Upgraded 20"x28" Softbox. Equipped with a large rectangular soft box, this light kit delivers wider, softer coverage than standard square boxes—perfect for full-body portraits and product shots. Its high-reflective silver inner lining eliminates harsh shadows to create even illumination for professional photography lighting. Additionally, this box light features a 210° rotatable lamp holder, allowing you to adjust the angle precisely according to your needs.
- Adjustable & Stable Tripod. This sturdy studio light stand adjusts from 31.5"/80cm to 75"/191cm with knobs for fast locking. The 1/4" standard screw tip supports a wide range of photo studio equipment, expanding the versatility of your photography kit. The tripod features a stable three-leg construction with reinforced joints to ensure solid support during use. The included 3m cord and 2 velcro ties allow flexible, tidy placement.
- Multiple Scene Applications. Designed for the content creators, this soft box light adapts to diverse needs, bridging professional photography lighting to everyday use. It excels in scenarios ranging from advertising product shooting, portrait photography, podcasts, live streaming, online meetings, and video recording to filming, serving as your reliable softbox lighting partner.
Specification
| Height | 31.5in |
|---|
In the box
【Rich Package Contents】2 * 20"x28" Soft box, 2* 3000K-6500K 85W LED bulb, 2*Remote control (no batteries), 2*Height-adjustable light stand (31.5"/80cm-75"/191cm), 2 x 210°Rotatable head with 9.8ft(3M) power cable, 4* Velcro cable ties, 1* Gloves, 1* Carry bag. If you have any questions about this soft box lighting set, our support team is ready to assist with a 24-hour response.
【High-Efficiency 85W LED Bulb】 Powered by an 85W LED, this bulb delivers 4500 lumens of consistent lighting for photography, offering high-output illumination. With seamless 0-100% dimming and a 3000K-6500K spectrum, precise control is always at your fingertips using the remote control. This complete studio lighting solution also comes with heat-resistant gloves for safe handling during adjustments.
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
What this one is for
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
Matching it to a photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Clamps, hooks and the top edge
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Carrying it and keeping it
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
