EMART Softbox Lighting Kit, 16"X16" Soft Box, 7x10ft Green Screen Backdrop Kit for Studio Lights, Portrait, Video Recording
EMART gear: photography backdrop stands, background support, lighting and the small metal.
4.5
$12748
In Stock
We put our Softbox Lighting Kit, 16"X16" Soft Box, 7x10ft Green Screen Backdrop Kit for Studio Lights, Portrait, Video Recording on the floor for crews who need the shot up before the light changes.
It arrives with a retractable crossbar, a portable format, a washable surface and a handheld remote. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- Newly Designed Non-Slip Light Stand. 1. Industry-leading reverse folding design, effectively reduce space occupation. 2. The light stand is detachable, and you can manually control the light stand pole to adjust the direction and height of the softbox. 3. The height of the light stand can be adjusted from 18 to 65 inches, and the node is fixed with a plate buckle to make it easier to use 4. The bottom rubber sleeve design makes the tripod more stable and non-slip
- 85W LED light with remote control. Input Voltage of 110-245V AC. Adjustable brightness and color temperature 85W LED light blub (with remote control). Color temperature can be adjusted between 3000K and 6000K. The remote control can be adjusted within 7M(23FT) range.
- 16"x 16"Soft box. 16"x 16" soft box silver reflective inner lining,the removable front diffusion spreads light into a homogenous soft light.The soft box is equipped with a 3-meter power cord to increase the range of movement of the softbox light kit. And give away 3 wire buckles, which is convenient for fixing and organizing the power cord.
- Advanced Movable Base. Our portable stand is upgraded with wheels that can be easily fixed into place, and retractable reinforced buckles at the bottom for securing the bottom frame, making it easily to move the stand. Unlike tripods, bases with wheels take up less space
- Washable & Anti-crease Green Screen. High quality greenscreen, opaque and non-reflective. With buckles at the edge to keep the chromakey backdrop cloth flat without wrinkle. Easy to take care of, the back drop is very durable that can be washed repeatedly
Specification
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
Sizing it against your photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Clamping, hooks and the crossbar
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Travel, bag and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
