EMART Softbox Lighting Kit 135W 16"x16" Softbox for Photography Light 2Pack
EMART builds photography backdrop stands, background support and the lights that stand beside them.
3000K-6500K LED Bulbs with Remote, 65" Tripod, Professional Photography Lighting for Studio Lights, Portrait, Video Recording
5.0 1 reviews
$7999
In Stock
Our Softbox Lighting Kit 135W 16"x16" Softbox for Photography Light 2Pack is the piece we hand over when a room has to turn into a set in one go. At full extension the top of the column stands 65in, which keeps the hem off the floor in a small room.
The build includes a portable format, a handheld remote and a carry bag. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Adjustable 135W High-Brightness Bulb. Get powerful brightness from the oversized 135W LED bulb in this softbox lighting kit. With CRI＞80 for accurate colors, smooth 0-100% dimming, and 3000K-6500K range, you can control every shot using the included remote control (requires 2 AAA batteries, not included). As a complete photography lighting solution, it provides heat-resistant gloves for safe bulb changes.
- Newly Designed Portable Non-Slip Tripod. 1. Industry-leading reverse folding design, effectively reduce space occupation. 2. This studio light stand is detachable, letting you manually adjust the pole to change the direction and height of the softbox. 3. The height can be adjusted from 18” to 65”, and the node is fixed with a plate buckle to make it easier to use. 4. Bottom rubber sleeve makes the tripod non-slip on any surface, keeping your photo studio equipment steady.
- 16"x 16" Softbox Light for Every Scene. The photo lighting kit features a 210° rotatable holder for precise direction. Its reflective interior delivers soft, even light ideal for most photography including live streaming, recording studio, portrait shooting, advertising shooting, product shooting and online meeting,etc. Unlock professional results for all your creative projects with high-quality illumination.
Specification
| Height | 65in |
|---|---|
| Reviews on the listing | 1 |
In the box
【Extensive Accessory Package】A 3-meter cord gives your box light plenty of reach for flexible setups. Comes with reusable 2 Velcro ties for easy cable management. Store and move your soft light kit safely in the included carry bag—compact, durable, and ready to go wherever your studio lighting needs take you.
【Complete Kit with Reliable Support】Package contents: 2 * 16"x16" Soft box (Head 210° adjustable), 2* Soft Cloth, 2* 3000K-6500K 135W LED Bulb, 2* Remote Control, 2* light stand (18"-65"/45cm-165cm), 2* knob for light stand bottom, 4* Velcro Cable Ties, 1* Gloves, 1* Carry Bag. If you have any questions about this soft box lighting set, our support team is ready to assist with a 24-hour response.
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
Sizing it against your photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Getting it standing
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamping, hooks and the crossbar
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Travel, bag and care
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
