EMART Photography Umbrella Lighting Kit, 400W 5500K, 7x10ft Green Screen Backdrop Kit, Adjustable Frame with Wheels for Banner, Photo Shoot
EMART builds photography backdrop stands, background support and the lights that stand beside them.
4.6
$14248
In Stock
We put our Photography Umbrella Lighting Kit, 400W 5500K, 7x10ft Green Screen Backdrop Kit, Adjustable Frame with Wheels for Banner, Photo Shoot on the floor for crews who need the shot up before the light changes.
We build it in aluminium alloy and metal because gear that lives in a car boot gets handled badly. The build includes a retractable crossbar, a portable format and a washable surface. We keep one listing per size so you are never guessing which box arrives.
Key features
- Photo CFL Bulb. 45W(equals to 200W Incandescent Light), 5500K, 110V-130V, E26 screw base, energy saving compact fluorescent light - saves energy up to 80%, daylight/pure White.
- Photography Umbrella Reflector. 33'' Diameter, Translucent/White. Made of high quality nylon, durable and solid construction. Help to soften and spread the light, not longer harsh light when you photography or filming as well as no shadows on the background.
- Photography Light Stand. Height adjustable (Min 28'' – Max 83''). Metal construction - made of Aluminum Alloy, light weight & portable but sturdy & stable. Standard 1/4" screws on the top for most photo accessories, not any wobbly at all even though attaches heavy camera and flash.
- Washable & Anti-crease Green Screen. High quality greenscreen, opaque and non-reflective. With buckles at the edge to keep the chromakey backdrop cloth flat without wrinkle. Easy to take care of, the back drop is very durable that can be washed repeatedly
- Advanced Movable Base. Our portable stand is upgraded with wheels that can be easily fixed into place, and retractable reinforced buckles at the bottom for securing the bottom frame, making it easily to move the stand. Unlike tripods, bases with wheels take up less space
Specification
| Material | Aluminium alloy and metal |
|---|
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
Light is half of a set and the frame is the other half. These heads sit on their own stands, so they do not compete for space with a backdrop stand — which matters in a small room where the support system already has its legs across the floor.
What size EMART backdrop stand this suits
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Getting it standing
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Clamps, hooks and the top edge
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Travel, bag and care
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. Durability lives in the fittings. Aluminum alloy gives an enhanced strength for the weight, the material of the locking collars decides the rest, and the practicality of a professional design beats a powerful specification nobody uses. Quality here means the metal has not moved in a year. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
