EMART Photography Umbrella, 400W 5500K Lighting kit for Video, Studio 4Pack
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Black/Silver & Translucent White Portable umbrella with stand for Portrait, Professional Camera Photographic Props for Flash
4.6 580 reviews
$5699
In Stock
We keep our Photography Umbrella, 400W 5500K Lighting kit for Video, Studio 4Pack in the range because most shoots need one dependable frame, not five clever ones.
The build runs to aluminium alloy and metal, which keeps the weight sensible without giving up on the joints. It arrives with a portable format and a carry bag. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Shoot Through & Reflective Umbrella. The white umbrella works as a light diffuser, delivering soft lighting that flatters skin tones and reduces harsh shadows. Meanwhile, the black-silver photo umbrella creates striking highlights and dimensional contrast.
- E-Type Flash Bracket. This universal metal bracket features a cold shoe adapter for speedlight and an umbrella hole with locking screw. It offers 180° vertical and horizontal adjustment for precise studio lighting placement. The bracket accepts most hot-shoe flashes except Sony and Minolta. Note: The speedlight unit is NOT included.
- Sturdy Light Stand. Made of durable aluminum alloy, this tripod is lightweight and portable, adjustable from 33 to 83 inches. The 1/4-inch top screw fits most photography accessories, making it compatible with a wide range of studio equipment.
- Wide Application. Designed for speedlight use, this flash umbrella kit meets a wide range of photography lighting needs. It excels at portrait sessions, product shoots, video recording, live streaming, filming, and advertising.
Specification
| Material | Aluminium alloy and metal |
|---|---|
| Reviews on the listing | 580 |
In the box
【Rich Package Content】Includes 2 x flash stand with umbrella holder, 2 x 33” black-silver reflective umbrella, 2 x 33” white translucent umbrella, 2 x 33”-83” light stand, 1 x carry bag. If you have any questions about our photography umbrella kit, please contact us.
Where it sits in the range
Shoot-through and reflective EMART umbrellas, translucent white and black-silver, sold as single heads and as full studio sets with the light stands photography needs.
Where it earns its place
An umbrella is the fastest soft light there is: it opens in a second, mounts on the stand with one turn of a knob and folds back to the length of a forearm. For portraits, weddings and anything where people move, that speed is worth more than the extra control a box would give you.
Matching it to a photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Hanging it and holding it steady
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Bag, case and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
