EMART 8.5x10 FT Green Screen Backdrop Kit with Umbrella Lights for Studio
EMART builds photography backdrop stands, background support and the lights that stand beside them.
4.6 2,092 reviews
$13499
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in. 8.5ft of height at the top of the travel gives you slack to raise the whole background once the subject sits down.
The frame is aluminium alloy and cotton, which is the difference between a stand that travels and one that bends. It arrives with a heavy-duty build, a washable surface and a carry bag. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Upgraded Green Screen Backdrops. Crafted from premium cotton, this 10 x 12ft photo backdrop is fully machine washable for easy care. It sets up quickly and securely, designed for heavy-duty use. When used with included clamps, the backdrop stays firmly in place without slipping. Featuring a seamless woven surface and reinforced hemmed edges, it resists tearing for long-lasting performance.
- Photography Umbrella with 50W Bulbs. 33inch flash umbrella effectively diffuses light, evenly spreading the beam while minimizing glare and hot spots. Ideal for portrait and product photography, compatible with the included green chromakey muslin backdrop. Features 5500K daylight fluorescent bulbs with flicker-free, silent operation and 8,000-hour lifespan. Bulb base compatible with E26/E27 sockets.
- 8.5 x 10ft Backdrop Support System. This backdrop stand supports canvas, muslin and paper, suitable for home and professional studio use. The background stand can extend to a height of 8.5 ft (2.6 m) and a width of 10 ft (3 m), providing ample space for various studio shoots. Built for durability with aluminum alloy, the stand is designed for stability with a tripod base that prevents shaking, even when fully extended.
- Suitable for Various Scenarios. This professional photography lighting kit is ideal for various shooting scenarios including portrait photography, product shooting (advertising/industrial/children's products), video recording, live streaming, and photo reproduction.
Specification
| Height | 8.5ft |
|---|---|
| Material | Aluminium alloy and cotton |
| Reviews on the listing | 2,092 |
In the box
【Rich Package Contents】(1)x 8.5x10ft Backdrop Stand, (1)x 10x12ft Muslin Green Screen Backdrop, (2)xWhite Photo Umbrella, (2)xBlack-Silver Umbrella, (2)x Black-Gold Umbrella, (2)x 50W Daylight 5500K Bulbs, (2)x 7ft Photography Light Stand, (6)x 4.5inch Heavy Duty Spring Clamps, (2)x Lamp Holder, (1)x Carrying Bag. For any product inquiries, please feel free to contact us for a response within 24 hours.
Where it sits in the range
Shoot-through and reflective EMART umbrellas, translucent white and black-silver, sold as single heads and as full studio sets with the light stands photography needs.
The job it does
Shooting through a white umbrella gives broad light that wraps a subject; bouncing out of a black-backed one is more directional and keeps spill off the background. Most crews carry both and decide in the room, which is why the kits are packed as sets rather than single pieces.
What size EMART backdrop stand this suits
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Getting it standing
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamps, hooks and the top edge
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Travel, bag and care
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. Durability lives in the fittings. Aluminum alloy gives an enhanced strength for the weight, the material of the locking collars decides the rest, and the practicality of a professional design beats a powerful specification nobody uses. Quality here means the metal has not moved in a year. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
