EMART Photography Lighting Kit with 8.5x10Ft Backdrop Stand,10x12 Backdrops
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Softbox Lighting Kit with 5500K 50W LED, Reflector, Umbrellas&Soft Box, Photo Studio Equipment for Portrait Video Shoot Vlog
4.6 1,860 reviews
$19599
In Stock
Our Photography Lighting Kit with 8.5x10Ft Backdrop Stand,10x12 Backdrops is the piece we hand over when a room has to turn into a set in one go. The columns go up to 8.5ft, so the top edge sits above the subject rather than in the frame.
The cloth is cotton and muslin, chosen because it takes a crease badly and loses one quickly. The build includes a carry bag. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- 10 x 12 ft Muslin Backdrop. The 100% cotton black/white/green backdrop help absorb the light and eliminate reflection, thick and solid hang down feeling good. NOTE: due to transporting it, the backdrop may has wrinkles, please hung out the backdrop by 1-2 days if necessary, use steam iron to iron the reverse side.
- Photography Umbrella Lighting Kit,. The professional lighting kit features 2 white umbrellas with 2 adjustable 2.5-7ft stands and two 50W 5500K LED bulbs. Creates soft, natural lighting for portraits and products. Bulb holders rotate 180° for perfect positioning. Energy-efficient with long-lasting performance. Ideal for studios and content creators.
- Professional 24" Softbox Lighting Kit. Features high-quality 5500K daylight-balanced LED lighting, perfect for studio shooting, portrait lighting. The 24"x24" softbox creates soft light to eliminate harsh shadows, while the silver interior lining maximizes light output and ensures even diffusion. Easily mounts on most standard light stands .
- Comprehensive Set of Accessories. [2] 24"x24" Softbox, [1] 8.5 x 10ft Backdrop Stand Support System,[3] 10x12 ft Muslin Backdrop(Black, White and Green), [4]Backdrop Spring Clamps, [2] Sandbags, [4] 50W LED Bulb,[2]Lamp Holder, [2] 33inch Translucent Umbrella, [4] 7ft Light Stand, [1] 24" 5 in 1 Reflector. [1] Carrying Bag
Specification
| Height | 8.5ft |
|---|---|
| Material | Cotton and muslin |
| Reviews on the listing | 1,860 |
In the box
【8.5x10ft Backdrop Support System】The backdrop support system includes three 10x12ft muslin backdrops (black/white/green) and features adjustable backdrop stand with 2 section lockable crossbar.Easily adjust the height from 2.6ft to 8.5ft and an expand the width from 5.2ft to 10ft-perfect for heavy canvas, muslin, and paper backdrops. Ideal for studio portraits, product photography, and 4K video shoots.
Where it sits in the range
Shoot-through and reflective EMART umbrellas, translucent white and black-silver, sold as single heads and as full studio sets with the light stands photography needs.
Where it earns its place
Shooting through a white umbrella gives broad light that wraps a subject; bouncing out of a black-backed one is more directional and keeps spill off the background. Most crews carry both and decide in the room, which is why the kits are packed as sets rather than single pieces.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Setting it up
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Clamps, hooks and the top edge
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Bag, case and care
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
