EMART Photography Lighting Kit with 10x12FT Backdrops,50W Dimmable LED Bulb
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Softbox Lighting Kit with 8.5X10Ft Backdrop Stand,3000-6000K Bulb, Umbrellas&Soft Box for Portrait Video Photo Studio Vlog
4.4
$19999
In Stock
We keep our Photography Lighting Kit with 10x12FT Backdrops,50W Dimmable LED Bulb in the range because most shoots need one dependable frame, not five clever ones. At full extension the top of the column stands 8.5ft, which keeps the hem off the floor in a small room.
The cloth is cotton and muslin, chosen because it takes a crease badly and loses one quickly. You also get dimmable output, a handheld remote and a carry bag. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- 10 x 12 ft Muslin Backdrop. The 100% cotton black/white/green backdrop help absorb the light and eliminate reflection, thick and solid hang down feeling good. NOTE: due to transporting it, the backdrop may has wrinkles, please hung out the backdrop by 1-2 days if necessary, use steam iron to iron the reverse side.
- Photography Umbrella Lighting Kit,. The professional lighting kit features 2 white umbrellas with 2 adjustable 2.5-7ft stands and two 50W 5500K LED bulbs. Creates soft, natural lighting for portraits and products. Bulb holders rotate 180° for perfect positioning. Energy-efficient with long-lasting performance. Ideal for studios and content creators.
- 【Professional 20"x28" Softbox Lighting Kit】 Features high-quality 50W 3000-6000K Dimmable LED lighting, perfect for studio shooting, portrait lighting. The 20"x28" pull softbox creates soft light to eliminate harsh shadows, while the silver interior lining maximizes light output and ensures even diffusion. Easily mounts on most E26/E27 standard light stands .
- Comprehensive Set of Accessories. [2] 20"x28" Pull Softbox, [1] 8.5x10 ft Backdrop Stand Support System, [3] 10x12 ft Muslin Backdrop(Black, White and Green), [4]Backdrop Spring Clamps, [6] Backdrop Clip Holder, [8] Velcro Cable Ties, [2] 50W LED Bulb, [2] 50W Dimmable Bulb, [1] Remote Control, [2]Lamp Holder, [2] 33inch Translucent Umbrella, [2] 33inch Black&Gold Umbrella, [4] 7ft Light Stand, [2] Carrying Bag
Specification
| Height | 8.5ft |
|---|---|
| Material | Cotton and muslin |
In the box
【8.5x10ft Backdrop Support System】The backdrop support system includes three 10x12ft muslin backdrops (black/white/green) and features adjustable backdrop stand with 2 section lockable crossbar.Easily adjust the height from 2.6ft to 8.5ft and an expand the width from 5.2ft to 10ft-perfect for heavy canvas, muslin, and paper backdrops. Ideal for studio portraits, product photography, and 4K video shoots.
Where it sits in the range
Shoot-through and reflective EMART umbrellas, translucent white and black-silver, sold as single heads and as full studio sets with the light stands photography needs.
The job it does
An umbrella is the fastest soft light there is: it opens in a second, mounts on the stand with one turn of a knob and folds back to the length of a forearm. For portraits, weddings and anything where people move, that speed is worth more than the extra control a box would give you.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamps, hooks and the top edge
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Travel, bag and care
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
