EMART Photography Lighting Kit, Softbox Lighting Kit with Background and Umbrella, 3 Color Green/White/Black Screen Backdrop Stand,Photo Studio Equipment for Video Shoot or Product Photography
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
4.4
$19999
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening.
The cloth is cotton and muslin, chosen because it takes a crease badly and loses one quickly. The build includes a wrinkle-resistant weave and a carry bag. We keep one listing per size so you are never guessing which box arrives.
Key features
- Adjustable&Sturdy Stands. Stands are made of strong and durable metal, with 4 leak-proof sandbags (sealed inner layer)can ensure the stability of the equipment
- Wrinkle-Resistant Muslin Backdrop. 6 x 9 ft Muslin Backdrop(Black, White and Green), 100% Cotton Muslin seamless background to help absorb the light and eliminate reflection, with 8 spring clamps provide perfectly smooth backgrounds for indoor/outdoor use
- Versatile Softbox Lighting Kit. CFL light bulbs deliver shadow-free illumination.Softbox can adjust the angle according to your needs, the removable front diffusion spreads light into a homogenous soft light.Softbox light stands provides great safety, reliability for lighting Softbox
- Useful Umbrella Lighting Kit. White umbrellas can reduce shadows and produce soft, low contrast light. Black/Silver umbrella minimize light loss & maximize light spread for contrast, reflects more light.Black/Gold umbrella reduce the color temperature of the flash light appropriately
- Complete Accessories. 3×6 * 9ft background (black/white/green), 1×7 * 10 ft backdrop stand, 2x(26.4" to 84.2")softbox light stand, 2×20"*28" softbox, 2xCFL light bulb, 6×33'' photo umbrella (white/gold black/silver black ), 3×105W CFL light bulb, 3xSingle Head Lamp Holder, 2×83'' light stand, 1×33'' mini light stand, 8×spring clamp, 4×sandbag, 3×carrying bag
Specification
| Material | Cotton and muslin |
|---|
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
Matching it to a photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Getting it standing
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Clamps, hooks and the top edge
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Travel, bag and care
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
