EMART Photography Lighting Kit 8.5x10Ft Backdrop Stand & 9.5x10FT Backdrops
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Softbox Lighting Kit with 5500K 50W LED, Reflector, Umbrellas&Soft Box, Photo Studio Equipment for Portrait Video Shoot Vlog
4.6 1,860 reviews
$17999
In Stock
Our Photography Lighting Kit 8.5x10Ft Backdrop Stand & 9.5x10FT Backdrops is the piece we hand over when a room has to turn into a set in one go. The columns go up to 8.5ft, so the top edge sits above the subject rather than in the frame.
The cloth is cotton and muslin, chosen because it takes a crease badly and loses one quickly. You also get a carry bag. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- 9.5x10 ft Muslin Backdrop. The 100% cotton black/white/green backdrop help absorb the light and eliminate reflection, thick and solid hang down feeling good. NOTE: due to transporting it, the backdrop may has wrinkles, please hung out the backdrop by 1-2 days if necessary, use steam iron to iron the reverse side.
- Photography Umbrella Lighting Kit,. The professional lighting kit features 2 white umbrellas with 2 adjustable 2.5-7ft stands and two 50W 5500K LED bulbs. Creates soft, natural lighting for portraits and products. Bulb holders rotate 180° for perfect positioning. Energy-efficient with long-lasting performance. Ideal for studios and content creators.
- Professional 20x28" Softbox Lighting Kit. Features high-quality 5500K daylight-balanced LED lighting, perfect for studio shooting, portrait lighting. The 20"x28" softbox creates soft light to eliminate harsh shadows, while the silver interior lining maximizes light output and ensures even diffusion. Easily mounts on most E26/E27 standard light stands .
- Comprehensive Set of Accessories. [2] 20"x28" Softbox, [1] 8.5 x 10ft Backdrop Stand Support System,[3] 9.5x10 ft Muslin Backdrop(Black, White and Green), [4]Backdrop Spring Clamps, [6] Backdrop Clip Holder, [8] Velcro Cable Ties, [4] 50W LED Bulb,[2]Lamp Holder, [2] 33inch Translucent Umbrella, [4] 7ft Light Stand, [1] 24" 5 in 1 Reflector. [2] Carrying Bag
Specification
| Height | 8.5ft |
|---|---|
| Material | Cotton and muslin |
| Reviews on the listing | 1,860 |
In the box
【8.5x10ft Backdrop Support System】The backdrop support system includes three 6x9ft muslin backdrops (black/white/green) and features adjustable backdrop stand with 4 section detachable crossbar.Easily adjust the height from 2.6ft to 8.5ft and an expand the width from 5ft to 10ft-perfect for heavy canvas, muslin, and paper backdrops. Ideal for studio portraits, product photography, and 4K video shoots.
Where it sits in the range
Shoot-through and reflective EMART umbrellas, translucent white and black-silver, sold as single heads and as full studio sets with the light stands photography needs.
What this one is for
Shooting through a white umbrella gives broad light that wraps a subject; bouncing out of a black-backed one is more directional and keeps spill off the background. Most crews carry both and decide in the room, which is why the kits are packed as sets rather than single pieces.
Sizing it against your photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamping, hooks and the crossbar
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Carrying it and keeping it
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. Durability lives in the fittings. Aluminum alloy gives an enhanced strength for the weight, the material of the locking collars decides the rest, and the practicality of a professional design beats a powerful specification nobody uses. Quality here means the metal has not moved in a year. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
