EMART Photography Lighting Kit 6.5x10Ft Backdrop Stand, 50W Dimmable Bulb
EMART gear: photography backdrop stands, background support, lighting and the small metal.
Softbox Lighting Kit with 3000-6000K Bulb, 6x9Ft Backdrop x3, Umbrellas&Soft Box for Portrait Video Shoot Photo Studio Vlog
4.5
$12999
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening. 6.5ft of height at the top of the travel gives you slack to raise the whole background once the subject sits down.
We cut it from cotton and muslin so the surface stays even under a hard key light. The build includes dimmable output, a handheld remote and a carry bag. We keep one listing per size so you are never guessing which box arrives.
Key features
- 6x9 ft Muslin Backdrop. The 100% cotton black/white/green backdrop help absorb the light and eliminate reflection, thick and solid hang down feeling good. NOTE: due to transporting it, the backdrop may has wrinkles, please hung out the backdrop by 1-2 days if necessary, use steam iron to iron the reverse side.
- Photography Umbrella Lighting Kit,. The professional lighting kit features 2 white umbrellas and 2 Black & Gold Umbrella with 2 adjustable 2.5-7ft stands and two 50W LED bulbs. Creates soft, natural lighting for portraits and products. Bulb holders rotate 180° for perfect positioning. Energy-efficient with long-lasting performance. Ideal for studios and content creators.
- 【Professional 20"x28" Softbox Lighting Kit】 Features high-quality 50W 3000-6000K Dimmable LED lighting, perfect for studio shooting, portrait lighting. The 20"x28" pull softbox creates soft light to eliminate harsh shadows, while the silver interior lining maximizes light output and ensures even diffusion. Easily mounts on most E26/E27 standard light stands .
- Comprehensive Set of Accessories. [2] 20"x28" Pull Softbox, [1] 6.5x10 ft Backdrop Stand Support System, [3] 6x9 ft Muslin Backdrop(Black, White and Green), [4]Backdrop Spring Clamps, [6] Backdrop Clip Holder, [8] Velcro Cable Ties, [2] 50W LED Bulb, [2] 50W Dimmable Bulb, [1] Remote Control, [2]Lamp Holder, [2] 33inch Translucent Umbrella, [2] 33inch Black&Gold Umbrella, [4] 7ft Light Stand, [2] Carrying Bag
Specification
| Height | 6.5ft |
|---|---|
| Material | Cotton and muslin |
In the box
"【6.5x10ft Backdrop Support System】The backdrop support system includes three 6x9ft muslin backdrops (black/white/green) and features adjustable backdrop stand with 4 section detachable crossbar.Easily adjust the height from 2.7ft to 6.5ft and an expand the width from 5ft to 10ft-perfect for heavy canvas, muslin, and paper backdrops. Ideal for studio portraits, product photography, and 4K video shoots."
Where it sits in the range
Shoot-through and reflective EMART umbrellas, translucent white and black-silver, sold as single heads and as full studio sets with the light stands photography needs.
What this one is for
Shooting through a white umbrella gives broad light that wraps a subject; bouncing out of a black-backed one is more directional and keeps spill off the background. Most crews carry both and decide in the room, which is why the kits are packed as sets rather than single pieces.
Matching it to a photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Putting it up
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Hanging it and holding it steady
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Carrying it and keeping it
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
