
EMART Backdrop Stand 10x10ft(WxH) Photo Studio Adjustable Background Stand Support kit+16"x16" Pull Soft Box 50W Softbox Photography Lighting Kit
EMART builds photography backdrop stands, background support and the lights that stand beside them.
4.6
$14308
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening. 10ft of height at the top of the travel gives you slack to raise the whole background once the subject sits down.
The build runs to aluminium alloy, which keeps the weight sensible without giving up on the joints. The build includes a retractable crossbar and a handheld remote. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- Retractable Crossbar. The retractable design makes the crossbar more flexible in use. Users can adjust to the appropriate width as required to adapt to different sizes of background backdrop.
- Sturdy Tripod Backdrop Stand. With adjustable height (3.3ft/1m–10ft/3m) , the aluminum alloy backdrop stand is durable, and the design of the tripod base ensures it won’t shake when fully extended to its maximum size.
- 【One-Second Installation-16"x 16" Pull Soft box】Upgraded Soft Box, Open- Press the button and pull out the rod. Close- Press the button and push the rod in. 16"x 16" soft box silver reflective inner lining,the removable front diffusion spreads light into a homogenous soft light. The soft box is equipped with a 3-meter power cord to increase the range of movement of the softbox light kit.
- 【Remote/APP Wireless Intelligent Control Bulb】Each 50W LED soft box light can be individually controlled for color temperature and brightness by APP Control, CRI≥93, color temperature can be adjusted between 3000K and 6000K. The remote control can be adjusted within 15M(49FT) range.
- Multiple scene applications. This softbox lighting kit is suitable for photography art,and meets the different needs of photography lighting,recording studio,live broadcasting,video fill light,etc. It can be applied to advertising products, industrial technology photography,children's photography and small product photography, photographic reproduction,etc
Specification
| Height | 10ft |
|---|---|
| Material | Aluminium alloy |
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
Light is half of a set and the frame is the other half. These heads sit on their own stands, so they do not compete for space with a backdrop stand — which matters in a small room where the support system already has its legs across the floor.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Clamping, hooks and the crossbar
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Travel, bag and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Durability lives in the fittings. Aluminum alloy gives an enhanced strength for the weight, the material of the locking collars decides the rest, and the practicality of a professional design beats a powerful specification nobody uses. Quality here means the metal has not moved in a year. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.




