EMART 8.5 x 10 ft Backdrop Support System, with Lighting Kit, with 12 pcs Heavy Duty Muslin Spring Clamps
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
4.6
$15118
In Stock
We keep our 8.5 x 10 ft Backdrop Support System, with Lighting Kit, with 12 pcs Heavy Duty Muslin Spring Clamps in the range because most shoots need one dependable frame, not five clever ones. 10ft of height at the top of the travel gives you slack to raise the whole background once the subject sits down.
The surface is cotton and muslin, which gives you a matte face that will not throw the key back at the lens. The build includes a heavy-duty build and a carry bag. We keep one listing per size so you are never guessing which box arrives.
Key features
- 8.5 x 10 ft Backdrop Support System with 6 x 9 ft Muslin Backdrop(black, white green), Backdrop stand supports canvas, muslin and paper, suitable for home and professional studio use. the backdrop stand can extend to 8.5 ft in height and 10 ft wide lot’s of room for all kinds of studio shoots.
- 6 x 9 ft Muslin Backdrop(Black, White and Green), 100% Cotton Muslin seamless background to help absorb the light and eliminate reflection, thick and solid hang down feeling good. NOTE: due to transporting it, the backdrop may has wrinkles, please hung out the backdrop by 1-2 days if necessary, use steam iron to iron the reverse side.
- The Photography Umbrella Lighting Kit, soften Lighting and set up the light differently depending on what effect. Light stand and bulb holders are flexible, the height of light stand can be adjusted between 2.5ft- 7ft. The angle of the bulb holders can be turned both horizontally and vertically, manually adjust distance between light bulbs & umbrella to get best light
- 24" x 24" Softbox Continuous Lighting Kit, 5500K color temperature is most suitable for studio shooting, portrait lighting and still-photography, Ultimate soften light stream and remove shadow to make perfect shooting, Silver internal face can minimize light loss and maximize light spread.
- Studio Light and Background Support System List, [2] 24"x24" Softbox, [1] 8.5 x 10ft Backdrop Stand Support System,[3] 6x9 ft Muslin Backdrop(Black, White and Green), [12]Backdrop Spring Clamps, [4] Backdrop Clip Holder, [4] 5500K CFL Daylight Bulb,[2]Lamp Holder, [2] 33inch Translucent Umbrella, [4] 7ft Light Stand, [1] 43" 5 in 1 Reflector. [1] Carrying Bag
Specification
| Height | 10ft |
|---|---|
| Material | Cotton and muslin |
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
Matching it to a photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Clamping, hooks and the crossbar
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Travel, bag and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
