EMART 8.5 x 10 ft Backdrop Support System, Photography Video Studio Lighting Kit Umbrella Softbox Set with 2x 105W Continuous Lighting for Photo Studio Product, Portrait and Video Shooting Photography
One of the photography backdrop stands, lighting kits and support systems EMART makes.
4.4
$17013
In Stock
We designed this one around the part of the job nobody photographs: the half hour before the first frame. The columns go up to 10ft, so the top edge sits above the subject rather than in the frame.
The surface is cotton and muslin, which gives you a matte face that will not throw the key back at the lens. The build includes a carry bag. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- 8.5 x 10 ft Backdrop Support System with 6 x 9 ft Muslin Backdrop(black, white green), Backdrop stand supports canvas, muslin and paper, suitable for home and professional studio use. the backdrop stand can extend to 8.5 ft in height and 10 ft wide lot’s of room for all kinds of studio shoots.
- 6 x 9 ft Muslin Backdrop(Black, White and Green), 100% Cotton Muslin seamless background to help absorb the light and eliminate reflection, thick and solid hang down feeling good. NOTE: due to transporting it, the backdrop may has wrinkles, please hung out the backdrop by 1-2 days if necessary, use steam iron to iron the reverse side.
- The Photography Umbrella Lighting Kit, soften Lighting and set up the light differently depending on what effect. Light stand and bulb holders are flexible, the height of light stand can be adjusted between 2.5ft- 7ft. The angle of the bulb holders can be turned both horizontally and vertically, manually adjust distance between light bulbs & umbrella to get best light
- 24" x 24" Softbox Continuous Lighting Kit, 5500K color temperature is most suitable for studio shooting, portrait lighting and still-photography, Ultimate soften light stream and remove shadow to make perfect shooting, Silver internal face can minimize light loss and maximize light spread.
- Studio Light and Background Support System List, [2] 24"x24" Softbox, [1] 8.5 x 10ft Backdrop Stand Support System,[3] 6x9 ft Muslin Backdrop(Black, White and Green), [6]Backdrop Spring Clamps, [4] Backdrop Clip Holder, [4] 4x 45W +2x 105W 5500K CFL Daylight Bulb,[2]Lamp Holder, [2] 33inch Translucent Umbrella, [4] 7ft Light Stand, [1] 43" 5 in 1 Reflector. [1] Carrying Bag
Specification
| Height | 10ft |
|---|---|
| Material | Cotton and muslin |
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
What this one is for
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Putting it up
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamps, hooks and the top edge
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
