EMART 60 LED Continuous Portable Photography Lighting Kit, 7x10ft Green Screen Backdrop Kit for Banner, Photo Shoot
EMART gear: photography backdrop stands, background support, lighting and the small metal.
4.4
$11698
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening.
You also get a retractable crossbar, a portable format and a washable surface. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- LED Table Top Studio: 60 LED / 1400 Lumen / 180° Adjustable Angle / Maximum Height: 11 inch, 90+ CRI, Daylight balanced 5500K, 15W LED continuous lighting, deliver true and nature colors
- The included AC / DC adapter can help protect your safety while increasing the brightness of the ring light by more than 50% compared to other USB-powered models
- Multi-function use: The video light for photography studio, lighting for video, images, collocation with all kinds of tabletop studio, an essential photography lighting kit for video shooting
- Washable & Anti-crease Green Screen:High quality greenscreen, opaque and non-reflective. With buckles at the edge to keep the chromakey backdrop cloth flat without wrinkle. Easy to take care of, the back drop is very durable that can be washed repeatedly
- Advanced Movable Base:Our portable stand is upgraded with wheels that can be easily fixed into place, and retractable reinforced buckles at the bottom for securing the bottom frame, making it easily to move the stand. Unlike tripods, bases with wheels take up less space
Specification
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
Where it earns its place
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
What size EMART backdrop stand this suits
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Setting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Clamping, hooks and the crossbar
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Bag, case and care
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
