EMART 33inch/84cm Black/Silver Photo Soft Umbrella for Photography 2Pack
One of the photography backdrop stands, lighting kits and support systems EMART makes.
Photography Umbrella Lighting Kit for Studio/Outdoor Photo shooting,Soft Reflective Umbrella Lights for Flash,Video Recording
4.6 580 reviews
$2099
In Stock
Our 33inch/84cm Black/Silver Photo Soft Umbrella for Photography 2Pack is the piece we hand over when a room has to turn into a set in one go.
The build runs to aluminium alloy, which keeps the weight sensible without giving up on the joints. The build includes a portable format. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Crisp Light. This photo umbrella has a silver reflective inner face and a black cover. It minimizes light loss while maximizing light spread, cast that soft, silvery sheen on a subject, integrating crisp light.
- Focused Contrast. The black-silver parabolic reflector focuses light onto the subject, revealing fine details and creating natural catchlight. It provides effective illumination while allowing contrast to be adjusted with ease. This makes it a good choice for achieving modern and edgy visual styles.
- Durable Material. As reliable studio equipment, lightweight aluminum alloy ribs of this reflective umbrella bend repeatedly without deformation. Premium nylon fabric stands up to frequent use and resists tearing.
- Portability for Any Shoot. Each photo umbrella folds down to 27 inches for easy storage. It keeps your photography lighting kit compact and portable between shoots. Setup takes seconds with no tools required.
- Wide Application. Suitable for all studio strobes, the 33-inch flash umbrella offers ample coverage across portrait and product shoots. It also works well for video recording, live streaming, filming, and podcasting, making it a practical choice for umbrella lights photography.
Specification
| Material | Aluminium alloy |
|---|---|
| Reviews on the listing | 580 |
Where it sits in the range
Shoot-through and reflective EMART umbrellas, translucent white and black-silver, sold as single heads and as full studio sets with the light stands photography needs.
What this one is for
Shooting through a white umbrella gives broad light that wraps a subject; bouncing out of a black-backed one is more directional and keeps spill off the background. Most crews carry both and decide in the room, which is why the kits are packed as sets rather than single pieces.
Sizing it against your photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamping, hooks and the crossbar
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Carrying it and keeping it
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
