EMART 10x7ft Backdrop Stand Photo Studio Adjustable Background Stand Support Kit +20"x28" 125W CFL Blub Softbox Lighting Kit
EMART builds photography backdrop stands, background support and the lights that stand beside them.
4.7 4 reviews
$8930
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in. At full extension the top of the column stands 7ft, which keeps the hem off the floor in a small room.
The frame is aluminium alloy, which is the difference between a stand that travels and one that bends. The build includes a retractable crossbar and a portable format. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Retractable Crossbar. The retractable design makes the crossbar more flexible in use. Users can adjust to the appropriate width as required to adapt to different sizes of background backdrop.
- Sturdy Tripod Backdrop Stand. With adjustable height (2.6ft/0.8m–7.0ft/2.1m) , the aluminum alloy backdrop stand is durable, and the design of the tripod base ensures it won’t shake when fully extended to its maximum size.
- Multifunctional Application. This backdrop stand kit is suitable for newborn photography, baby photo shoot, professional photo studio shooting, product display background, DIY photo booth, pet pictures, shooting video or home/wedding/parties decoration. Note: Due to gravity, the crossbar will bend slightly,It is not suggest to hang anything too heavy and kindly please use sandbags to add weighted for stable in windy conditions.
- Rich packging content. 2 x 20"x 28" soft box;2 x E27 5500K 125W CFL light bulb;2 x (26.4" to 84.2")height-adjustable softbox light stand;2 x 210°rotatable head with 9.8ft(3M) power cable;4 x Velcro cable ties;;1 x portable tote from Oxford cloth. If you have any questions about our products,please contact us,we will reply you within 24 hours.
- 2 Energy-saving bulbs. 2 x 125W 110V-50Hz 5500K daylight CFL lighting bulb,the total output is equivalent to 1000W ordinary incandescent bulb,low operating temperature and longer life,CFLs will also help to make 80% savings on your energy bill.
Specification
| Height | 7ft |
|---|---|
| Material | Aluminium alloy |
| Reviews on the listing | 4 |
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
What this one is for
A softbox turns a small bright lamp into a large dull one, and large dull light is what makes a face read as a face. A kit like this covers portraits, product photography and interviews; put a third head on the background and the subject stops being stuck to the backdrop behind them.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Putting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamps, hooks and the top edge
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Carrying it and keeping it
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
