EMART 10x10FT Backdrop Stand with 45W 5500K Umbrella Photography Lighting Kit
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
4.3
$13462
In Stock
Our 10x10FT Backdrop Stand with 45W 5500K Umbrella Photography Lighting Kit is the piece we hand over when a room has to turn into a set in one go. The columns go up to 3.4ft, so the top edge sits above the subject rather than in the frame.
We build it in aluminium because gear that lives in a car boot gets handled badly. The build includes a heavy-duty build and a carry bag. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Adjustable height (Min 3.4ft - Max 10ft), the folded size is 2.9ft. Made of 100% Aluminum Material, stable and sturdy. Perfect for parties, studio or wedding.
- Adjustable width (Min 3.8ft - Max 10ft). With convenient twist locking design, you can stretch or shorten the crossbar easily.
- Come with 6Pcs 4.5” heavy duty spring clamps to hold the background tightly, 2Pcs sandbags to enhance stability of backdrop stand when hanging things, and one carrying bag with nylon material.
- The Professional Umbrella Lighting kit is to provide prefect shooting light, to satisfy high requirement of shooting light
- (3) x 45W 5500K Energy-Saving lamps Continuous Photography (CFL) (3) x single-head support lamp. (2) x 83 inch and (1) x 33 inch photographic light holder
Specification
| Height | 3.4ft |
|---|---|
| Material | Aluminium |
Where it sits in the range
EMART softbox heads, continuous LED lamps and full two- and four-light kits with stands, grids and carry bags — the light that goes up next to a photography backdrop.
The job it does
Light is half of a set and the frame is the other half. These heads sit on their own stands, so they do not compete for space with a backdrop stand — which matters in a small room where the support system already has its legs across the floor.
Matching it to a photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Getting it standing
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamping, hooks and the crossbar
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Travel, bag and care
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
