EMART Round Base Light Stand, 79" Heavy Duty Monopod for Camera, Lights
One of the photography backdrop stands, lighting kits and support systems EMART makes.
Air Cushion Monopod Studio Stand with 1/4”& 3/8 Screw for Live Streaming, Vlogging, Payload 22LBS( 2 Pack)
4.7 9 reviews
$19999
In Stock
We put our Round Base Light Stand, 79" Heavy Duty Monopod for Camera, Lights on the floor for crews who need the shot up before the light changes.
The frame is aluminium, which is the difference between a stand that travels and one that bends. It arrives with a heavy-duty build and telescopic sections. We keep one listing per size so you are never guessing which box arrives.
Key features
- Air Cushion Design. The monopod’s telescopic tube adopts built-in air cushion design, which effectively buffers the descending speed and protects your cameras, lights, and other equipment from collision and damage during height adjustment
- Stable Photography Light Stand. :This heavy duty video light stand is made of lightweight aluminum and fitted with dual locking knobs, supporting a maximum load of 10kg/22lbs. Its sturdy iron round base weighs 4.1kg/9lbs together with bottom anti-slip rubber and felt pads, it keeps the photography equipment at any height with great anti-slip effect and prevents floor scratches effectively
- Adjustable Monopod Camera Stand. :Equipped with two screw knob adjusters, this tripod monopod allows height adjustment from 76.9 cm / 30.27 in up to 201.6 cm / 79.37 in. Its flexible height range makes it ideal for use as a floor stand in compact studios
- Space-Saving Round Base. :Featuring a compact round base design, this stand takes up far less floor space than bulky traditional tripod light stands. It effectively effectively cutting down occupied space, keeping your shooting area neat and tidy, and fitting perfectly well in narrow corners and limited studio spaces
Specification
| Material | Aluminium |
|---|---|
| Reviews on the listing | 9 |
In the box
[Versatile Light Stand]:The monopod features built-in 1/4" top thread, which can be converted to 3/8" via adapter for easy interface switching. It is widely compatible with most cameras, vedio lights, panoramic headand, camcorders, microphones and fluid heads. This tripod monopod also comes with a universal camera mount fitting 1/4" screw, letting you flexibly adjust camera angles to meet diverse shooting needs
Where it sits in the range
EMART spring-cushioned light stands, heavy-duty C-stands with boom arms, reverse-folding tripods and phone stands for photography on location.
Where it earns its place
A light stand is the part of a kit nobody thinks about until something expensive hits the floor. This is a support stand built to go high cheaply and stay stable while it is up there, which is a different job from a tripod — a tripod is built to hold something still and aim it.
What size EMART backdrop stand this suits
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Hanging it and holding it steady
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Bag, case and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
