EMART 7Ft Light Stand for Photography, Speedlight, Softbox 2 Pack-Gold
EMART builds photography backdrop stands, background support and the lights that stand beside them.
4.6 1,974 reviews
$3599
In Stock
Our 7Ft Light Stand for Photography, Speedlight, Softbox 2 Pack-Gold is the piece we hand over when a room has to turn into a set in one go. 7ft of height at the top of the travel gives you slack to raise the whole background once the subject sits down.
The build runs to aluminium alloy, which keeps the weight sensible without giving up on the joints. The build includes a portable format and a carry bag. We keep one listing per size so you are never guessing which box arrives.
Key features
- Sturdy. Made of premium aluminum alloy which makes structure more stable, durable, portable and lightweight
- Extendable. Convenient to adjust the height. Height is adjustable from 2.5 ft - 7ft. Max load capacity 11 lbs
- Solid Locking. Its solid locking capabilities are super simple and easy to use and ensure the safety of your lighting equipment when in use
- Easy-carrying. The legs can also fold in and have a knob to lock them in place. Carry bag is good for storing and travelling
- Multiple Use. 1/4 inch threaded screw tip used for photo shooting, mounting strobe lights, umbrellas, softboxes and other photographic equipment; Both for studio and on-site use. 【Note: When use heavy-duty photographic equipment such as softboxes, strobe lights, you may need to match the sandbag to increase its stability】
Specification
| Height | 7ft |
|---|---|
| Material | Aluminium alloy |
| Reviews on the listing | 1,974 |
Where it sits in the range
EMART spring-cushioned light stands, heavy-duty C-stands with boom arms, reverse-folding tripods and phone stands for photography on location.
What this one is for
Height is the specification people regret. For a seated portrait the key wants to be a little above eye level with room to angle down; for background support, match the stand to the backdrop you already own rather than the other way round.
Matching it to a photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamping, hooks and the crossbar
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
