EMART Ring Light Wall Mount Boom Arm, Adjustable 71in/180cm Overhead Stand
One of the photography backdrop stands, lighting kits and support systems EMART makes.
4.6 148 reviews
$5999
In Stock
We put our Ring Light Wall Mount Boom Arm, Adjustable 71in/180cm Overhead Stand on the floor for crews who need the shot up before the light changes.
Everything we list is our own; the price you see is the one on our product listing today.
Key features
- Easy to Use. Standard spigot head with 1/4 screw on one end and 3/8 screw on the other end, compatible with strobe lights, monolight, ring lights, softbox, reflectors, DSLR and microphone，etc
- Easy to install. Wall mounting triangle boom arm is made of high-quality iron, which is strong. The 6 expansion screws can help you install the boom on a solid wall easily
- Stable Structure. Triangular structure increases the stability of the wall boom arm. You can swing your arm vertically or horizontally between 0 ° and 180 ° to obtain an accurate beam angle
- Friendly Design. Adjust the length（29inch-51inch） of the arm as you want. Loosen the knob to adjust the angle and height of the arm to the most appropriate position and lock it. When not in use can be flat to save space
- Wide Application. Suitable for vloggers, streamers, photographers, personal workshop, beauty shop, tattoo studio, music studio, barbershop etc(That need to be fixed on the load-bearing wall)
Specification
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Where it sits in the range
EMART spring-cushioned light stands, heavy-duty C-stands with boom arms, reverse-folding tripods and phone stands for photography on location.
What this one is for
Height is the specification people regret. For a seated portrait the key wants to be a little above eye level with room to angle down; for background support, match the stand to the backdrop you already own rather than the other way round.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Hanging it and holding it steady
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Carrying it and keeping it
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Durability lives in the fittings. Aluminum alloy gives an enhanced strength for the weight, the material of the locking collars decides the rest, and the practicality of a professional design beats a powerful specification nobody uses. Quality here means the metal has not moved in a year. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
