EMART Ring Light Wall Mount Boom Arm, Adjustable 42in/106cm Overhead Stand
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
180°Rotation Heavy Duty Triangle Bracket Mounting Bar for Camera, Photography Lighting, Barber Led Lamp
4.6 148 reviews
$2999
In Stock
Our Ring Light Wall Mount Boom Arm, Adjustable 42in/106cm Overhead Stand is the piece we hand over when a room has to turn into a set in one go.
We build it in aluminium because gear that lives in a car boot gets handled badly. It arrives with a heavy-duty build. We would rather you bought the smaller frame and used it than the big one that stays in the bag.
Key features
- Easy to Use. Standard spigot head with 1/4 screw on one end and 3/8 screw on the other end, compatible with strobe lights, monolight, ring lights, softbox, reflectors, DSLR and microphone，etc
- Easy to install. Wall mounting triangle boom arm is made of high-quality aluminum, which is strong and corrosion-resistant. The 6 expansion screws can help you install the boom on a solid wall easily
- Stable Structure. Triangular structure increases the stability of the wall boom arm. You can swing your arm vertically or horizontally between 0 ° and 180 ° to obtain an accurate beam angle
- Friendly Design. Adjust the length（48cm/18.9inch - 106cm/41.7inch）of the arm as you want. Loosen the knob to adjust the angle and height of the arm to the most appropriate position and lock it. When not in use can be flat to save space
- Wide Application. Suitable for vloggers, streamers, photographers, personal workshop, beauty shop, tattoo studio, music studio, barbershop etc(That need to be fixed on the load-bearing wall)
Specification
| Material | Aluminium |
|---|---|
| Reviews on the listing | 148 |
Where it sits in the range
EMART spring-cushioned light stands, heavy-duty C-stands with boom arms, reverse-folding tripods and phone stands for photography on location.
Where it earns its place
Height is the specification people regret. For a seated portrait the key wants to be a little above eye level with room to angle down; for background support, match the stand to the backdrop you already own rather than the other way round.
Matching it to a photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Setting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Hanging it and holding it steady
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Bag, case and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
