EMART Overhead Camera Mount Rig, Desk Mount & Adjustable Height/Width with Phone Holder, Max Load 26.5lbs, Compatible with DSLR, Smartphones & Webcams for Top Shot, Video, Vlog, Studio Photography
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
4.6 14 reviews
$8999
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in. The columns go up to 25.2in, so the top edge sits above the subject rather than in the frame.
The build runs to aluminium alloy, which keeps the weight sensible without giving up on the joints. The build includes telescopic sections. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- Telescopic & Customizable Setup. Transform your desk into a professional studio! This overhead mount features a telescopic design, adjustable from 27.2" to 48" in height and 25.2" to 47.2" in width, with precise scales for perfect positioning. Its expanded frame can accommodate light stands and additional gear for complex DIY projects
- Stability & Heavy-Duty Performance. Built with a robust aluminum alloy structure, this stand securely holds up to 26.5 lbs (12 kg). It ensures vibration-free stability for crisp overhead shots, ideal for flat lay photography, cooking demos, unboxing videos, and studio lighting setups
- Wide Compatibility. Equipped with a phone holder (fits devices 2.2-3.3" wide), dual 1/4" screws, and a 5/8" stud, it effortlessly mounts your camera, webcam, reflector, or backdrop.Compatible with Canon/Nikon/Sony cameras, Logitech webcams, and iPhones 14/13/12 series. Perfect for streaming, podcasts, gaming, teaching and top-down videos, maximizing your workspace efficiency
- Edge-of-Desk Installation. The upgraded C-clamp base easily secures to thin-edged desks (up to 3.5" thick). Simply press the lever button, adjust the angle, and lock it instantly. Dual rubber pads prevent slipping and protect your desktop surface from scratches
- Save Space. Achieve a clutter-free workspace! This boom arm is compatible with most magic arms and tablet holders (sold separately) for adding lights or monitors. When not in use, it disassembles quickly for easy storage, saving space and eliminating tripping hazards
Specification
| Height | 25.2in |
|---|---|
| Material | Aluminium alloy |
| Reviews on the listing | 14 |
Where it sits in the range
EMART overhead camera rigs, magic arms, super clamps, suction mounts, ball heads, sandbags and the small metal that holds a photography backdrop stand together.
What this one is for
Grip is everything between the camera and whatever it is attached to. Clamps hold backdrop fabric to a crossbar, arms hang a small light off a shelf, plates let a body come off a tripod without unscrewing anything. None of it is interesting and all of it is why a set stays where you left it.
What size EMART backdrop stand this suits
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Clamps, hooks and the top edge
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Carrying it and keeping it
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
