Ships from the United StatesSpans, heights and loads printed from our own listingBuilt for crews who carry their own gear
EMART — studio floor home
EMART Green Screen Backdrop Kit 8.5x10FT with 3Pcs 10x12FT Backdrop

EMART Green Screen Backdrop Kit 8.5x10FT with 3Pcs 10x12FT Backdrop

EMART builds photography backdrop stands, background support and the lights that stand beside them.

4.4 1,566 reviews

$10599

In Stock

We put our Green Screen Backdrop Kit 8.5x10FT with 3Pcs 10x12FT Backdrop on the floor for crews who need the shot up before the light changes. The columns go up to 8.5ft, so the top edge sits above the subject rather than in the frame.

The surface is polyester and muslin, which gives you a matte face that will not throw the key back at the lens. The build includes a heavy-duty build and a wrinkle-resistant weave. Specifications here are read straight off our own listing — no rounding, no best case.

Key features

  • Lockable Joint Design crossbar. 2 x Crossbar Adjustable width (Min 5.2ft to Max 10ft). The crossbar can be easily adjusted in width, and it only takes 1 second to lock and fix. The crossbar does not slide during tightening, which makes the green screen backdrop more stable when used for shooting.
  • 2x Heavy Duty Sandbags. The 26lb capacity sand bag makes the green screen backdrop kit more stable, reducing the possibility of the photo backdrop stand kit toppling over during use. The double zipper and rubber lining keeps the sand or dust from escaping. (NOTE: Sandbag is empty.You need fill it with sand, crushed stones or other heavy objects by yourself for use.)
  • Suitable for Various Scenarios. Suitable for outdoor use, this backdrop kit can easily adapt to various situations and is highly suitable for the needs of professional photographers as well as creative attempts of photography enthusiasts. It can be used for portrait photography, product display, and wedding decoration.

Specification

Figures read from our own listing
Height8.5ft
MaterialPolyester and muslin
Reviews on the listing1,566
In the box

【8.5x10ft Backdrop Support System】The backdrop support system includes three 10x12ft muslin backdrops (black/white/green).Easily adjust the height from 3ft to 8.5ft and an expand the width from 5.2ft to 10ft-perfect for heavy canvas, muslin, and paper backdrops.Ideal for studio portraits, product photography, and video shoots.

【10x12ft Wrinkle-Resistant Backdrops】The photo backdrop stand kit comes with three 10x12ft muslin backdrops in black, white, and green. The wrinkle-resistant, durable polyester backdrop with strong elasticity, perfect for studio photography,wedding decoration.

Where it sits in the range

Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.

See all 53 in Green Screen & Backdrops

Where it earns its place

Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.

Matching it to a photography backdrop stand

Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.

Setting it up

Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.

Clamps, hooks and the top edge

The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.

Bag, case and care

Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.

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