Ships from the United StatesSpans, heights and loads printed from our own listingBuilt for crews who carry their own gear
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EMART 10x20Ft Green Screen Backdrop,Photography Greenscreen Background

EMART 10x20Ft Green Screen Backdrop,Photography Greenscreen Background

EMART builds photography backdrop stands, background support and the lights that stand beside them.

Polyester Green Screen Fabric Cloth,Photo Backdrop Curtain Suit YouTube Video,Streaming,Zoom Meeting,VR(with 4 Clips)

4.5 14,032 reviews

$4049

In Stock

Our 10x20Ft Green Screen Backdrop,Photography Greenscreen Background is the piece we hand over when a room has to turn into a set in one go.

We cut it from polyester so the surface stays even under a hard key light. You also get a washable surface. We would rather you bought the smaller frame and used it than the big one that stays in the bag.

Key features

  • Professional chroma key effect: Non reflective greenscreen cloth surface provides pure green, which will better separate the subject when editing the virtual background, help you better use in live gaming, Zoom and streaming
  • Machine Washable: EMART green backdrop curtain material is durable, it can be cleaned in a washing machine for daily cleaning. If necessary, please iron the surface with steam iron
  • Easy to hang: A rod pocket was sewn on the 10ft edge for crossbar install, equipped with 4 backdrop clips can keep the backdrop tight and wrinkle free
  • Edge Locking: All edges of green backdrop curtain are locked to prevent tears, it will not be damaged after timely and vigorous scrubbing, more durable for long term use
  • Wide Application: Lightweight and soft green screen is perfect for newborn photography, YouTube, professional photo studio shooting, interviews, conference recording, etc.

Specification

Figures read from our own listing
MaterialPolyester
Reviews on the listing14,032
Where it sits in the range

Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.

See all 53 in Green Screen & Backdrops

The job it does

Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.

What size EMART backdrop stand this suits

Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.

Getting it standing

Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.

Clamps, hooks and the top edge

Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.

Travel, bag and care

It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.

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