EMART 8x10Ft Green Screen Backdrop,Photography Greenscreen Background
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Polyester Green Screen Fabric Cloth,Photo Backdrop Curtain Suit YouTube Video,Streaming,Zoom Meeting,Game,VR(with 4 Clips)
4.5 14,032 reviews
$2299
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in.
We cut it from polyester so the surface stays even under a hard key light. You also get a washable surface. We would rather you bought the smaller frame and used it than the big one that stays in the bag.
Key features
- Professional chroma key effect: Non reflective greenscreen cloth surface provides pure green, which will better separate the subject when editing the virtual background, help you better use in live gaming, Zoom and streaming
- Machine Washable: EMART green backdrop curtain material is durable, it can be cleaned in a washing machine for daily cleaning. If necessary, please iron the surface with steam iron
- Easy to hang: A rod pocket was sewn on the 8ft edge for crossbar install, equipped with 4 backdrop clips can keep the backdrop tight and wrinkle free
- Edge Locking: All edges of green backdrop curtain are locked to prevent tears, it will not be damaged after timely and vigorous scrubbing, more durable for long term use
- Wide Application: Lightweight and soft green screen is perfect for newborn photography, YouTube, professional photo studio shooting, interviews, conference recording, etc.
Specification
| Material | Polyester |
|---|---|
| Reviews on the listing | 14,032 |
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
The job it does
A green screen is a background built to be thrown away in the edit, which puts all of the quality into the surface: matte, even and flat across everything the lens sees. Ours serve streaming desks, recorded interviews and product photography, and they hang from the same crossbar as every other backdrop we make.
Sizing it against your photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Hanging it and holding it steady
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Travel, bag and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
