EMART Green Screen Backdrop Kit, 7x10FT back Drop Stand with 6x9FT Backdrop
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Photography Background Support System with 100% Cotton Muslin Backdrop, 6Clamps, 2 Sandbags for Photo Studio, Video, Zoom
4.6 2,352 reviews
$5899
In Stock
We put our Green Screen Backdrop Kit, 7x10FT back Drop Stand with 6x9FT Backdrop on the floor for crews who need the shot up before the light changes. The columns go up to 7ft, so the top edge sits above the subject rather than in the frame.
The cloth is cotton and muslin, chosen because it takes a crease badly and loses one quickly. The build includes a heavy-duty build, a portable format, a washable surface and a carry bag. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- Multi-function Use: Professional green screen kit for family gathering, wedding, photo studio, as well as for camera photography or party
- Adjustable Photo Booth Stand: Easy to assemble and disassemble by one person in just a few minutes, adjust the height ( from 2.6 ft to 7 ft ) and width ( from 5 ft to 10 ft )
- Non Reflective Muslin Backdrop: Emart green screen backdrop is made from cotton material, this kind of cloth makes less reflection of light, less see through and light leak. It makes sure of effective shooting and editing
- Ironed & Washable: The screen has some creases for long time folding, you can iron it. You can wash it when it’s dirty. When not in use, you can hang it up to reduce the creases
- Kit included: (2) x Adjustable Crossbar, (2) x Light Stand, (1) x green background, (4) x Heavy Duty Spring Clamp, (4) x photo clips, (2) x Sandbag, (1) x Portable Carry Bag
Specification
| Height | 7ft |
|---|---|
| Material | Cotton and muslin |
| Reviews on the listing | 2,352 |
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
The job it does
Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.
Sizing it against your photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Getting it standing
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamps, hooks and the top edge
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Travel, bag and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
