EMART Green Screen, 58x74in Collapsible Chroma Key Panel for Backdrop
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Portable & Retractable Wrinkle-Resistant Backdrop with Stand for Background Removal, Streaming, Photographic Studio, TikTok
4.4 2,728 reviews
$16999
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in.
The build includes a collapsible frame, a retractable crossbar, a portable format and a wrinkle-resistant weave. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Ultra Quick Set Up. Latches and hydraulic tub has been improved, green screen build a studio in a few seconds, truly immersive broadcasting
- Clean Chroma Key Screen. Wrinkle resistant green screen optimized for camera chroma keying, make the subject have clear and natural edges
- Pop Up Innovation. Pull up the green screen and Pneumatic X-frame can lock the height to the place you want
- Save Your Space. Push the screen back down into the hard case and stash out of sight, easy to transport
- Dimensions. 58(wide) x 74(high) inch (open)/ 3.9 x 4.5 x 61 inch (retracted)
Specification
| Reviews on the listing | 2,728 |
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Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
What this one is for
A green screen is a background built to be thrown away in the edit, which puts all of the quality into the surface: matte, even and flat across everything the lens sees. Ours serve streaming desks, recorded interviews and product photography, and they hang from the same crossbar as every other backdrop we make.
Matching it to a photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Putting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Clamps, hooks and the top edge
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Carrying it and keeping it
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
