EMART Blue Green Screen Backdrop Kit, 5x6.5ft Portable T-Shape
One of the photography backdrop stands, lighting kits and support systems EMART makes.
Reverse Folding Base, Stand with 2-Sided Reversible Background for Photography, Zoom, Streaming and Studio Video Recording
4.4 2,310 reviews
$3799
In Stock
We keep our Blue Green Screen Backdrop Kit, 5x6.5ft Portable T-Shape in the range because most shoots need one dependable frame, not five clever ones.
The surface is polyester, which gives you a matte face that will not throw the key back at the lens. It arrives with telescopic sections, a folding frame, a portable format and a washable surface. We keep one listing per size so you are never guessing which box arrives.
Key features
- New Type of Reverse Folding Bracket. Innovative tripod base can be reverse-folded, with larger unfolding area, better stability and compact storage than conventional stands
- [2-in-1 Reversible Blue Green Screen Backdrop]Blue and green dual-color photo backdrop provides for more flexibility in use, which is made of polyester fibric, all edges are carefully finished preventing tears.Machine and hand washable, ironable, foldable
- Adjustable T-shaped Stand. The height of the stand can extend from 120 cm to 198 cm (4 ft to 6.5 ft).After removing the telescopic rod, it can be adjusted from 82 cm to 152 cm (2.7 ft to 5 ft), with a width of 5 feet, making it suitable for use in both desktop and floor scenarios
- Portable & Set-up Fast. The 2-in-1Blue Green Screen adjustable background stand is convenient to assemble and disassemble.With a carrying bag, both the backdrop stand, 5 clamps and the green blue backdrop can be stored, easy to store or carry
- Application. The chromakey blue green screen backdrop stand kit enables quick and clean chroma key compositing in videos and images, ideal for home office, vlogging, TV broadcast, gaming, VR, zoom, live streaming, YouTube video recording, webcam etc
Specification
| Material | Polyester |
|---|---|
| Reviews on the listing | 2,310 |
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
What this one is for
A green screen is a background built to be thrown away in the edit, which puts all of the quality into the surface: matte, even and flat across everything the lens sees. Ours serve streaming desks, recorded interviews and product photography, and they hang from the same crossbar as every other backdrop we make.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Putting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Hanging it and holding it steady
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
