EMART Black 10x10ft Tulle Backdrop Curtains with Lights String
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Battery Operated with Remote, for Wedding, Baby Shower,Photoshoot, Birthday Party Decoration
4.4 30 reviews
$2299
In Stock
We designed this one around the part of the job nobody photographs: the half hour before the first frame.
The cloth is tulle, chosen because it takes a crease badly and loses one quickly. You also get a collapsible frame and a handheld remote. We would rather you bought the smaller frame and used it than the big one that stays in the bag.
Key features
- Fairy Tulle Backdrop Curtain. Crafted from high-quality soft and smooth, elastic, tear resistant and durable tulle. Semi-transparent fabric adds an elegant and mysterious atmosphere. If you want more of a fuller look suggest buy 2 packs and more be layered to create different levels
- [Upgraded Battery Compartment and Remote Control]Battery compartment for wireless use, resolves the issues of too far power supply and insufficient cable length in usage scenarios. With a remote control lets you easily switch 8 lighting modes, adjust 10 brightness levels, and set an auto-off timer
- Mult-Occasion Use. Sparkly sheer curtain with lights sets the elegant and romantic. Perfect for wedding reception, birthday party, baby shower, floral backdrops, photo booth props, gender reveal, graduation, candy buffets, dessert tables background, Christmas valentines day room decorations or anywhere you want
Specification
| Material | Tulle |
|---|---|
| Reviews on the listing | 30 |
In the box
[Easy to Set and Reusable]The tulle drapes are equipped with 4-inch rod pocket across the top for easy hanging on a pipe or stand. Comes with 12 dedicated transparent clips to attach string lights. Each strand is individually gathered into a neat twisty tie preventing tangled messes. Reusable, collapsible without creases and easy to store
[Complete Package]10x10ft net wrinkle free black chiffon curtains(2 panels), 10ft warm white fairy twinkle LED light with a battery compartment, a remote control and 12 transparent clips
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
Where it earns its place
A green screen is a background built to be thrown away in the edit, which puts all of the quality into the surface: matte, even and flat across everything the lens sees. Ours serve streaming desks, recorded interviews and product photography, and they hang from the same crossbar as every other backdrop we make.
Sizing it against your photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Setting it up
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamping, hooks and the crossbar
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Bag, case and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
