EMART Baby Pink 10x10ft Tulle Backdrop Curtains with Lights String
EMART gear: photography backdrop stands, background support, lighting and the small metal.
Battery Operated with Remote, for Wedding, Baby Shower,Photoshoot, Birthday Party Decoration
4.4 30 reviews
$2299
In Stock
We put our Baby Pink 10x10ft Tulle Backdrop Curtains with Lights String on the floor for crews who need the shot up before the light changes.
We cut it from tulle so the surface stays even under a hard key light. You also get a collapsible frame and a handheld remote. We keep one listing per size so you are never guessing which box arrives.
Key features
- Fairy Tulle Backdrop Curtain. Crafted from high-quality soft and smooth, elastic, tear resistant and durable tulle. Semi-transparent fabric adds an elegant and mysterious atmosphere. If you want more of a fuller look suggest buy 2 packs and more be layered to create different levels
- [Upgraded Battery Compartment and Remote Control]Battery compartment for wireless use, resolves the issues of too far power supply and insufficient cable length in usage scenarios. With a remote control lets you easily switch 8 lighting modes, adjust 10 brightness levels, and set an auto-off timer
- Mult-Occasion Use. Sparkly sheer curtain with lights sets the elegant and romantic. Perfect for wedding reception, birthday party, baby shower, floral backdrops, photo booth props, gender reveal, graduation, candy buffets, dessert tables background, Christmas valentines day room decorations or anywhere you want
Specification
| Material | Tulle |
|---|---|
| Reviews on the listing | 30 |
In the box
[Easy to Set and Reusable]The tulle drapes are equipped with 4-inch rod pocket across the top for easy hanging on a pipe or stand. Comes with 12 dedicated transparent clips to attach string lights. Each strand is individually gathered into a neat twisty tie preventing tangled messes. Reusable, collapsible without creases and easy to store
[Complete Package]10x10ft net wrinkle free baby pink chiffon curtains(2 panels), 10ft warm white fairy twinkle LED light with a battery compartment, a remote control and 12 transparent clips
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
The job it does
Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.
Sizing it against your photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamping, hooks and the crossbar
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Travel, bag and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
