EMART 9.2ft/2.8m Stainless Steel Light Stand, Spring Cushioned-2 Pack
EMART gear: photography backdrop stands, background support, lighting and the small metal.
Heavy Duty Photography Tripod with 1/4" to 3/8" Universal Adapter for Parabolic Softbox, Strobe, Monolight, Reflector
4.5 136 reviews
$7199
In Stock
We put our 9.2ft/2.8m Stainless Steel Light Stand, Spring Cushioned-2 Pack on the floor for crews who need the shot up before the light changes. The columns go up to 9.2ft, so the top edge sits above the subject rather than in the frame.
The frame is stainless steel, which is the difference between a stand that travels and one that bends. It arrives with spring-cushioned columns, a heavy-duty build and a portable format. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Adjustable and Portable: The height can be adjusted from 4.6 feet to 9.2 feet (140cm to 280cm), so it can meet your needs for a wide range of heights. Also, the stand folds down to 3.3 feet/99 cm, making it easy to transport and store
- 1/4” to 3/8” Adapter: With the universal adapter, photo stand is used for studio lights, mounting monolight, reflector, umbrella, soft box, camera and other photographic equipment. Professional studio light stand is suitable for photography, video recording, indoor and outdoor use on site shooting. Max load capacity: 17.6 pounds / 8 kg
- Spring Cushioned Heavy Duty Stand: Built-in spring buffer can protect your equipment. At the same time, the locking knob of the product can well fix the stand, effectively reduce the hazards caused by the product instantly slipping, so as to protect yourself and the product's security
- Durable Stainless Steel Material: The photo tripod is made of sturdy stainless steel, strong and durable, it can withstand all kinds of weather conditions and won't rust or get damaged after a long time of use. Can be used for heavy duty work. You can place sandbags or water bags at the tripod to increase the stability of the stand for outdoor use
- Notice: When you mount the tripod, be sure to fully open the tripod until the connectors are at 90° to the tripod
Specification
| Height | 9.2ft |
|---|---|
| Material | Stainless steel |
| Reviews on the listing | 136 |
Where it sits in the range
EMART spring-cushioned light stands, heavy-duty C-stands with boom arms, reverse-folding tripods and phone stands for photography on location.
What this one is for
A light stand is the part of a kit nobody thinks about until something expensive hits the floor. This is a support stand built to go high cheaply and stay stable while it is up there, which is a different job from a tripod — a tripod is built to hold something still and aim it.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Putting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Hanging it and holding it steady
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Carrying it and keeping it
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
