Emart 7x8ft Green Screen Backdrop Kit with T-Shape Stand and 6 Clamps
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Reverse folding base for easy storage & transport，perfect for Photography, Photoshoot, Studio Video Recording, Streaming
4.3 1,838 reviews
$4999
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in.
You also get a portable format, a wrinkle-resistant weave, a washable surface and a carry bag. We would rather you bought the smaller frame and used it than the big one that stays in the bag.
Key features
- Height Adjustable: The full stand extends from 121cm to 240cm (4 ft–8 ft),This flexible design easily adapts to various shooting scenarios
- Upgraded Crossbar: The crossbar measures 2.3m /7.5ft in length, with its six sections connected by internal ropes. This ingenious design not only makes installation effortless but also enables compact and orderly storage
- High Quality Cloth: Classic green, ideal for chroma key editing. It offers great visual performance. Wrinkle-resistant fabric, machine/hand washable for easy maintenance; low-temperature ironing keeps it smooth—practical for frequent use
- Multi-functional: Ideal for a multitude of applications of content creator, like video shooting, gaming, virtual, streaming media, zoom meeting, podcast, filming
Specification
| Reviews on the listing | 1,838 |
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In the box
Reverse Folding Stand: Highly portable, comes with a carry bag for easy transport. Larger unfolding area, better stability and compact storage than conventional stands. Quick intuitive setup saves time, rock-solid stability for worry-free use
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
What this one is for
Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Putting it up
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamps, hooks and the top edge
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Carrying it and keeping it
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
