Ships from the United StatesSpans, heights and loads printed from our own listingBuilt for crews who carry their own gear
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EMART 77x92in Collapsible Chromakey Panel Portable White Screen

EMART 77x92in Collapsible Chromakey Panel Portable White Screen

One of the photography backdrop stands, lighting kits and support systems EMART makes.

4.4 2,728 reviews

$23999

In Stock

If the room is borrowed and the call time is tight, this is the kit we would carry in.

It arrives with a collapsible frame, a portable format and a wrinkle-resistant weave. We keep one listing per size so you are never guessing which box arrives.

Key features

  • Premium Fabric. Professional wrinkle-resistant white screen optimized for camera chroma keying making figure background-matting simple & convenient, also making color reduction more real.
  • Pneumatic X-Frame. The support height of the Pneumatic X-frame can be adjusted at will, when the screen reaches the appropriate height, it will be fixed automatically.
  • 3 Second Set Up. The portable pull-up design allows the product to be installed in few seconds. Two rotatable support feet is equipped at the bottom, making the product more stable.
  • Save Your Space. You can easily push it back into the hard case after using, it can be folded to small size and stored under various furniture, reducing the storage area. Dimensions: 77 x 92 inch (HxW)(open)/ 4.7 x 3.9 x 92 inch (retracted)
  • Widely used. This white background can be used for Youtube videos, TikTok, live-streaming, interviews, music videos or live game at twitch. A great partner for your media career.

Specification

Figures read from our own listing
Reviews on the listing2,728
Where it sits in the range

Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.

See all 53 in Green Screen & Backdrops

What this one is for

Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.

Matching it to a photography backdrop stand

Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.

Putting it up

Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.

Hanging it and holding it steady

Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.

Carrying it and keeping it

It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.

Next to it on the shelf