EMART 70’’ Cell Phone Tripod Stand with Remote for iPhone and Android
One of the photography backdrop stands, lighting kits and support systems EMART makes.
4.5 633 reviews
$1999
In Stock
We keep our 70’’ Cell Phone Tripod Stand with Remote for iPhone and Android in the range because most shoots need one dependable frame, not five clever ones.
The build runs to aluminium alloy, which keeps the weight sensible without giving up on the joints. It arrives with a portable format and a handheld remote. We would rather you bought the smaller frame and used it than the big one that stays in the bag.
Key features
- Flexible Gooseneck Stand. Our tripod stand features a flexible 7.8-inch gooseneck, providing sufficient length while effectively preventing tipping over. It extends from 19 inches to 70 inches, allowing you to adjust to any shooting angle, making it perfect for long-distance, low-angle, or high-angle shots. It helps you capture videos and photos from any angle, ensuring you never miss a moment
- Stability & Convenience. The selfie stick tripod is made of high-quality aluminum alloy, with non-slip foot pads at the bottom to enhance overall stability, capable of supporting various photography equipment. Four adjustable trigger locks on the legs allow you to quickly adjust to your desired height and make it easy to fold for storage
- Wide Compatibility. Our universal phone holder is compatible with all iPhone and Android smartphones, featuring a button design that allows you to easily release your phone. The tripod's standard 1/4-inch screw interface is also compatible with DSLR cameras, action cameras, webcams, ring lights, and digital cameras. By unscrewing the leg brackets at the bottom, you can also get a selfie stick
- Selfie Stick Tripod with Remote. The wireless Bluetooth remote has a range of up to 33 feet, making it quick and convenient. Whether for selfies, group photos, adventure trips, vlogging, YouTube, TikTok videos, FaceTime, or Instagram, the portable phone holder is always your ideal choice
Specification
| Material | Aluminium alloy |
|---|---|
| Reviews on the listing | 633 |
In the box
【Package Includes】The package includes 1*tripod, 1*gooseneck, 1*ball head, 1*phone holder, 1*wireless remote.If you have any questions or concerns, please feel free to contact us
Where it sits in the range
EMART spring-cushioned light stands, heavy-duty C-stands with boom arms, reverse-folding tripods and phone stands for photography on location.
Where it earns its place
Height is the specification people regret. For a seated portrait the key wants to be a little above eye level with room to angle down; for background support, match the stand to the backdrop you already own rather than the other way round.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Clamping, hooks and the crossbar
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Bag, case and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
