EMART 62’’ Cell Phone Tripod Stand with Remote for iPhone and Android
EMART gear: photography backdrop stands, background support, lighting and the small metal.
Compact lightweight design easy to carry for travel & outdoor use，works great for live streaming, vlogging, filming
4.5 633 reviews
$1399
In Stock
We put our 62’’ Cell Phone Tripod Stand with Remote for iPhone and Android on the floor for crews who need the shot up before the light changes.
We build it in aluminium because gear that lives in a car boot gets handled badly. The build includes a portable format and a handheld remote. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- Easy adjust Height. The extendable smart phone tripod stand is easy to assemble and quickly adjust the height in 5s (between 20.9‘’ and 62‘’) with the quick-flip design
- 30ft wirless remote control. Use the wirless remote to take pictures within 30ft by pressing the remote control button, and the remote can easy connect to your devices via bluetooth
- Universal 1/4 screw & phone holder. The phone holder can extend from 2.1‘’ to 3.5‘’ to compatible most phones, and it’s removable to fit your other equipment with the standard 1/4 screw adapter, such as camera, panel lighting, go pro, Webcam and Camcorder
- Flexible angle adjust. The 180° rotation head allow you reach a best viewing angle, easy to implement overhead shot, vertical shot, horizontal shot
- Portable travel tripod. The tri pod is made of aluminum only 1.1lbs, lightweight for carry with. The tripod adopts the flip-locks structure easy to fold to 19.7’’ in seconds, you can put it in your backpack for your travel
Specification
| Material | Aluminium |
|---|---|
| Reviews on the listing | 633 |
Where it sits in the range
EMART spring-cushioned light stands, heavy-duty C-stands with boom arms, reverse-folding tripods and phone stands for photography on location.
The job it does
A light stand is the part of a kit nobody thinks about until something expensive hits the floor. This is a support stand built to go high cheaply and stay stable while it is up there, which is a different job from a tripod — a tripod is built to hold something still and aim it.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Getting it standing
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Hanging it and holding it steady
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Travel, bag and care
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
