EMART 6.5x9.8ft Green Screen Backdrop Kit with Stand I-Frame Design
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Dual-Support Structure Portable Photo Backdrop Stand Kit with Green Backdrop & Carry Bag for Video,Streaming, Zoom Meetings
4.6 6 reviews
$5999
In Stock
We keep our 6.5x9.8ft Green Screen Backdrop Kit with Stand I-Frame Design in the range because most shoots need one dependable frame, not five clever ones.
The build includes a portable format, a wrinkle-resistant weave, a washable surface and a carry bag. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Dual-Support Structure System – Flawlessly Flat:This I-frame stand-with double top and bottom crossbars,grip the green backdrop and pull it uniformly tight in one motion—no clamps, no elastic straps, no fiddly adjustments. The fabric stays completely flat and wrinkle-free edge to edge
- Portable, Compact, and Easy to Use:The green screen and stand can be easily disassembled and stored in the included carrying bag for convenient transportation.Snap-fit connectors let you assemble the stand in a few minutes without tools, so you can go from bag to broadcast fast
- High Quality Cloth: Classic green, ideal for chroma key editing. It offers great visual performance. Wrinkle-resistant fabric, machine/hand washable for easy maintenance; low-temperature ironing keeps it smooth—practical for frequent use
- Multi-functional: Whether you're setting up in a home studio, at a client's office, or outdoors, this kit is built for creators who need a quick, portable solution.Ideal for a multitude of applications, like video shooting, gaming, virtual, streaming media, zoom meeting, podcast, filming
Specification
| Reviews on the listing | 6 |
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In the box
Package Contents：2 x support stand, 8 x crossbars, 1 x green backdrop, 4 x dedicated buckles, 1 x carrying bag
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
Where it earns its place
Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamping, hooks and the crossbar
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Bag, case and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
