EMART 6.5x6.5ft Blue Green Screen Backdrop Kit with Stand, Adjustable
One of the photography backdrop stands, lighting kits and support systems EMART makes.
Easy-to-Store 2-pack Backdrop Photography Kit for Studio Shooting, product and portrait photography, live stream, game
4.2 96 reviews
$5999
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in.
The cloth is polyester, chosen because it takes a crease badly and loses one quickly. The build includes a portable format. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- New X-type Folding Stand. The expandable X-shaped background stand can be folded repeatedly. Compared to traditional stands, it has a larger supporting area, better stability, and is more compact for storage
- High-Quality Green&Blue Screen Backdrop. The blue and green two sets of background is more flexible to use. The four corners are equipped with independent suspension rings, providing stronger support and less wrinkling, avoid sagging for a flat, seamless shooting surface
- Reinforced Background Design. ] The 6.5x6.5ft background is in contact with the ground at the bottom, forming a stable triangle with the triangular base, which is not prone to tipping and is suitable for indoor and outdoor use
- Portable & Set-up Fast. The X-shaped folding frame and the triangular base vertical support are easy to disassemble and assemble. With four clips, it can securely connect the background.One person can complete the assembly easily. Included is a storage bag for convenient portability and storage
- Application & Easy Care. ideal for home office, vlogging, TV broadcast, gaming, VR, zoom, live streaming, YouTube video recording, webcam etc. Polyester fabric can be machine washed, hand washed, ironed, and folded
Specification
| Material | Polyester |
|---|---|
| Reviews on the listing | 96 |
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
Where it earns its place
A green screen is a background built to be thrown away in the edit, which puts all of the quality into the surface: matte, even and flat across everything the lens sees. Ours serve streaming desks, recorded interviews and product photography, and they hang from the same crossbar as every other backdrop we make.
Matching it to a photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Hanging it and holding it steady
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Bag, case and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
