EMART 5x8ft Green Screen Backdrop Kit with Stand I-Frame Design
One of the photography backdrop stands, lighting kits and support systems EMART makes.
4.6 6 reviews
$3999
In Stock
We put our 5x8ft Green Screen Backdrop Kit with Stand I-Frame Design on the floor for crews who need the shot up before the light changes.
The build includes a portable format, a wrinkle-resistant weave, a washable surface and a carry bag. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Dual-Support Structure System – Flawlessly Flat:This I-frame stand-with double top and bottom crossbars,grip the green backdrop and pull it uniformly tight in one motion—no clamps, no elastic straps, no fiddly adjustments. The fabric stays completely flat and wrinkle-free edge to edge
- Portable, Compact, and Easy to Use:The green screen and stand can be easily disassembled and stored in the included carrying bag for convenient transportation.Snap-fit connectors let you assemble the stand in a few minutes without tools, so you can go from bag to broadcast fast
- High Quality Cloth: Classic green, ideal for chroma key editing. It offers great visual performance. Wrinkle-resistant fabric, machine/hand washable for easy maintenance; low-temperature ironing keeps it smooth—practical for frequent use
- Multi-functional: Whether you're setting up in a home studio, at a client's office, or outdoors, this kit is built for creators who need a quick, portable solution.Ideal for a multitude of applications, like video shooting, gaming, virtual, streaming media, zoom meeting, podcast, filming
Specification
| Reviews on the listing | 6 |
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In the box
Package Contents：1 x support stand, 4 x crossbars, 1 x green backdrop, 2 x dedicated buckles, 1 x carrying bag
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
Where it earns its place
Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.
Sizing it against your photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Setting it up
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Hanging it and holding it steady
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Bag, case and care
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
