EMART 5x7ft White Green Screen Backdrop Kit with T-Shape Stand and 6 Clamps
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Reverse folding base for easy storage & transport，perfect for Photography, Photoshoot, Studio Video Recording, Streaming
4.3 1,838 reviews
$4699
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in.
We cut it from polyester so the surface stays even under a hard key light. You also get telescopic sections, a folding frame, a portable format and a washable surface. We would rather you bought the smaller frame and used it than the big one that stays in the bag.
Key features
- New Type of Reverse Folding Bracket. Innovative tripod base can be reverse-folded, with larger unfolding area, better stability and compact storage than conventional stands
- [2-in-1 Reversible White Green Screen Backdrop]White and green dual-color photo backdrop provides for more flexibility in use, which is made of polyester fibric, all edges are carefully finished preventing tears.Machine and hand washable, ironable, foldable
- Adjustable T-shaped Stand. The height of the stand can extend from 120 cm to 198 cm (4 ft to 6.5 ft).After removing the telescopic rod, it can be adjusted from 82 cm to 152 cm (2.7 ft to 5 ft), with a width of 5 feet, making it suitable for use in both desktop and floor scenarios
- Portable & Set-up Fast. The 2-in-1White Green Screen adjustable background stand is convenient to assemble and disassemble.With a carrying bag, both the backdrop stand, 5 clamps and the green blue backdrop can be stored, easy to store or carry
- Application. The chromakey white green screen backdrop stand kit enables quick and clean chroma key compositing in videos and images, ideal for home office, vlogging, TV broadcast, gaming, VR, zoom, live streaming, YouTube video recording, webcam etc
Specification
| Material | Polyester |
|---|---|
| Reviews on the listing | 1,838 |
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
Where it earns its place
Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Hanging it and holding it steady
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Bag, case and care
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
