EMART 5x6.5ft Blue Green Screen Backdrop Kit with Reverse Folding Base
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Reverse folding base for easy storage & transport，perfect for Photography, Photoshoot, Studio Video Recording, Streaming
4.3 1,838 reviews
$4699
In Stock
We keep our 5x6.5ft Blue Green Screen Backdrop Kit with Reverse Folding Base in the range because most shoots need one dependable frame, not five clever ones.
We cut it from polyester so the surface stays even under a hard key light. It arrives with telescopic sections, a folding frame, a portable format and a washable surface. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- New Type of Reverse Folding Bracket. Innovative tripod base can be reverse-folded, with larger unfolding area, better stability and compact storage than conventional stands
- [2-in-1 Reversible Blue Green Screen Backdrop]Blue and green dual-color photo backdrop provides for more flexibility in use, which is made of polyester fibric, all edges are carefully finished preventing tears.Machine and hand washable, ironable, foldable
- Adjustable T-shaped Stand. The height of the stand can extend from 120 cm to 198 cm (4 ft to 6.5 ft).After removing the telescopic rod, it can be adjusted from 82 cm to 152 cm (2.7 ft to 5 ft), with a width of 5 feet, making it suitable for use in both desktop and floor scenarios
- Portable & Set-up Fast. The 2-in-1Blue Green Screen adjustable background stand is convenient to assemble and disassemble.With a carrying bag, both the backdrop stand, 5 clamps and the green blue backdrop can be stored, easy to store or carry
- Application. The chromakey blue green screen backdrop stand kit enables quick and clean chroma key compositing in videos and images, ideal for home office, vlogging, TV broadcast, gaming, VR, zoom, live streaming, YouTube video recording, webcam etc
Specification
| Material | Polyester |
|---|---|
| Reviews on the listing | 1,838 |
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
The job it does
A green screen is a background built to be thrown away in the edit, which puts all of the quality into the surface: matte, even and flat across everything the lens sees. Ours serve streaming desks, recorded interviews and product photography, and they hang from the same crossbar as every other backdrop we make.
What size EMART backdrop stand this suits
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Getting it standing
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Hanging it and holding it steady
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Travel, bag and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
