EMART 30x7Ft Green Screen Backdrop,Photography Greenscreen Background
EMART gear: photography backdrop stands, background support, lighting and the small metal.
Polyester Green Screen Fabric Cloth,Photo Backdrop Curtain Suit YouTube Video,Streaming,Zoom Meeting,Game,VR(with 4 Clips)
4.5 14,032 reviews
$3099
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in.
We cut it from polyester and cotton so the surface stays even under a hard key light. It arrives with a washable surface. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Professional chroma key effect. Non-reflective green screen backdrop provides pure green, which will make it easier to separate the subject when editing the virtual background, help you use it better for live gaming, Zoom and streaming
- Single One-Piece & Good Lock-Stitching. Seamless one-piece design offers a good vertical feeling, and is ideal for photoshoots, video or image editing, and friendly for background removal. All edges are locked to prevent tears, it will not be damaged after proper and vigorous scrubbing, and is more durable for long-term use
- Machine Washable and Ironable. EMART green backdrop curtains are made of high-density opaque polyester fabric, which are durable and can be cleaned in a washing machine.It has fewer wrinkles than cotton materials, if necessary, please iron the surface with a steam iron
- Easy to hang. Green screen backdrop has a 2.5-inch rod pocket in the top for hanging, it is suitable for most stand sizes
- Wide Application. The green screen backdrop is your ideal choice for photo studio photography, home photoshoot, broadcasting, interview, zoom meeting, live streaming, Gaming, YouTube video recording, video conferencing, music videos, TikTok, etc
Specification
| Material | Polyester and cotton |
|---|---|
| Reviews on the listing | 14,032 |
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
Where it earns its place
Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.
Sizing it against your photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Setting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Clamping, hooks and the crossbar
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Bag, case and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
